By Caroline Hirsch September 11, 20
Growing up on the forested volcanic slopes of the Big Island of Hawaii fueled the photographer Klea McKenna‘s
fascination with nature. And her “No Light Unbroken” series is not only
infused with nature, but essentially created by it. After getting
frustrated early on with the predictability of straightforward
photography, she turned to photograms for their ability to directly and
physically capture the natural world. Her process involves placing an
object on light-sensitive material and then exposing the composition to
light; the resulting image is an imprint of that object. “I’m able to
use this medium to allow a place for the elements to picture
themselves,” explains McKenna, who works with rain, spiders and banana
trees as her recurring subjects.
The rain images “began
as an experiment, to see if it was possible to create a visual imprint
of this experience we are all familiar with: the feeling of standing in
the pouring rain in total darkness,” McKenna says. “Once I began making
them, I became fascinated by the way that each rainstorm looked
different: the patterns of a tropical downpour versus a winter drizzle.
I’ve become obsessed with dots and drops.” As with her other work in the
project, which is now on view now at Von Lintel Gallery in Los Angeles,
the photographs embody the strangeness and drama that continue to draw
her to the medium, and capture, she says, that sweet spot “where my own
intention meets the unpredictable.”
“Klea McKenna: No Light Unbroken” is on view through Oct. 18 at Von Lintel Gallery, 2685 S. La Cienega Blvd, Los Angeles, vonlintel.com.
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