VON LINTEL GALLERY

Wednesday, April 17, 2013

CANAN TOLON | Somewhere Now — April 18 - May 25, 2013

Canan Tolon Untitled 4.3, 2013
oil on canvas
24 x 24 inches

Von Lintel Gallery is pleased to announce our first solo exhibition of paintings  by Canan Tolon. 

Canan Tolon's paintings at first appear as purely abstract, but with time the eye discovers familiar urban landscapes in the rhythmic painted streaks. She explores the visualization of space by creating an illusion of depth and engages the viewer in the game of seeking recognizable imagery and inventing a visual narrative. The black and white pieces in particular allude to the documentary quality of photography, suggesting reality where there is only imagination. Like a distant mirage, the viewer is drawn into the work, wanting to explore the multiple layers of information. With even closer inspection, the elusive vistas dissolve back into abstract patterns revealing the painting's deception. This duality makes the imagery unstable, flickering between truth and illusion to create an ever-interesting visual feast.


Born in Istanbul, Tolon trained as an architect and holds a Masters from the University of California at Berkeley. In addition to her paintings, she is also well known for her large-scale installation work. She has exhibited internationally since 1984, including shows at the San Francisco Museum of Modern Art, Rotterdam's Museum Boijmans Van Beuningen, the Istanbul Modern Museum, and London's Saachi Gallery. In 2012, she was named one of Art+Auction's 50 Next Most Collectible Artists. Tolon lives and works in the California Bay Area

The exhibition is accompanied by an illustrated catalogue.

Tuesday, April 9, 2013

CANAN TOLON | Selected New Works


Canan Tolon, Untitled 11.2, 2013
oil on panel, 24 x 24 inches

Canan Tolon, Untitled 4.2, 2013
oil on panel, 24 x 24 inches

Canan Tolon, Untitled 5.2, 2013
oil on panel, 24 x 24 inches

Canan Tolon, Untitled 5.3, 2013
oil on panel, 20 x 16 inches

Canan Tolon, Untitled 8.2, 2013
oil on panel, 24 x 24 inches

Canan Tolon, Untitled 8.3, 2013
oil on canvas
36 x 24 inches

Canan Tolon, Untitled, 12.2, 2013
oil on three panels
16 x 48 inches (16 x 16 inches each), triptych

Canan Tolon, Untitled 1.3, 2013
oil on canvas
40 1/2 x 26 inches



CANAN TOLON | Artist's Statement


Space is the main subject in my work. I am interested in the way we visualize it, the way we treat it, politicize, imagine, and remember it. I use a technique that is as random as it is premeditated and studied. My paintings are formally as precise, rhythmic, and structured as they are evasive, accidental, and fluent.

Although I do not use print or collage, I use a technique in my paintings that imitates photographic prints, using tools like straight edges and knives to produce an effect of instant reality, where evidence alluding to places and events are implied. It is only upon closer inspection that the “photographic reality” falls apart, and the painting’s illusion is revealed.

Monotone paintings are visually closer to photography, and therefore visually closer a realistic documentation, as our eyes are trained to consider photographic images as true testimonies. I work with fragmented compositions and figure-ground arrangements, and I construct perspectives of conflicting views locked in the painting’s multiple glazes. It takes time to see through the superimposed layers–just as it takes time for the eye to conjugate the overlapping fragments. Multiple-eye levels that range from plan-view to panorama, and focus from close-up to remote, cause a dispersal of information in the composition. My aim is to produce paintings in which spaces are recognizable yet elude description.

Canan Tolon

CANAN TOLON | SELECTED PRESS




CANAN TOLON | BIO

CANAN TOLON


Born in Istanbul, Turkey
Lives and works in Emeryville, CA


EDUCATION

1983    MA Architecture, University of California at Berkeley, CA
1980    BA, Middlesex University/Architectural Association, London, UK
1979    Fachhochschule, Trier, Germany
1976    Napier University, Department of Design, Edinburgh, Scotland
1975    Baccalauréat, Philosophie-Lettres, Ecole Française d'Istanbul, Istanbul, Turkey


SOLO EXHIBITIONS

2013    Somewhere Now, Von Lintel Gallery, New York, NY

2012    Time After Time, Institute for the Humanities, University of Michigan,
    Ann Arbor, MI
    Then, and then, Gallery Paule Anglim, San Francisco, CA

2011    Reflex, Galeri Nev, Istanbul, Turkey

2010    Fugue, Galeri Nev, Ankara, Turkey

2009    Break-in, Artists Gallery, San Francisco Museum of Modern Art, CA

2008    Glitch, Galeri Nev, Istanbul, Turkey
    Glitch, Gallery Paule Anglim, San Francisco, CA

2005    Everything is Honky Dory, Galeri Nev, Ankara, Turkey
    Everything is Honky Dory, Galeri Nev, Istanbul, Turkey

2004    Blind Trust, Galeri Nev, Istanbul, Turkey
    Blind Trust, Galeri Nev, Ankara, Turkey

2003    Gallery Paule Anglim, San Francisco, CA
    Galeri Nev, Ankara, Turkey
    Galeri Nev, Istanbul, Turkey
    Angle of Repose, Mills Museum of Art, Oakland, CA

2001    Galeri Nev, Istanbul, Turkey
    Galeri Nev, Ankara, Turkey

2000    Cité Internationale des Arts, Paris, France
    Nothing to Declare, Borusan Gallery, Istanbul, Turkey

1999    Galeri Nev, Ankara, Turkey

1998    Kaza Eseri, Galeri Nev, Istanbul, Turkey

1997    Gallery Paule Anglim, San Francisco, CA
Galeri Nev, Ankara, Turkey

1996    Galeri Nev, Istanbul, Turkey

1993    Galeri Nev, Ankara, Turkey
    Still Lifes, Center for Contemporary Art, Santa Fe, NM
    Galeri Nev, Istanbul, Turkey

1992    Garden of the Zodiac Gallery, Omaha, NE
    Introduction, Harcourts Modern and Contemporary Art Gallery,
San Francisco, CA

1991    Galeri Nev, Ankara, Turkey
    Pro-Arts Gallery, Oakland, CA
    Bemis Gallery, Bemis Foundation, Omaha, NE
    Galeri Nev, Istanbul, Turkey
Still Lifes, Maçka Art Gallery, Istanbul, Turkey

1990    University of California at Berkeley, CA

1984    University of California at Berkeley, CA



GROUP EXHIBITIONS

2013    Past and Future, Istanbul Modern Museum, Turkey

2012    The 1st Kiev Biennale, Curator David Elliott, Kiev, Ukraine
Istanbul Modern-Rotterdam, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands

2011    Zwölf im Zwölften, Tanas, Berlin, Germany
    Suretin Sireti / Beyond the Apparent, Pera Museum, Istanbul, Turkey
Hayal ve Hakikat / Dream and Reality, Istanbul Modern Museum, Turkey
Driven to Abstraction, Von Lintel Gallery, New York, NY
    Confessions of Dangerous Minds, The Saachi Gallery, London, England

2010    Ikinci Sergi / Second Exhibition, Arter, Istanbul, Turkey
+infinity, Curator Deniz Artun, Cer Modern, Ankara, Turkey
A Dream… But Not Yours, Curator Esra Sarıgedik, National Museum of Woman in the Arts, Washington, DC

2009    Istanbul Next Wave, Martin Gropius Bau, Berlin, Germany
    New Works, New Horizons, Istanbul Museum of Modern Art, Turkey

2008    In and Out of Istanbul, Slought Foundation, Philadelphia, PA
Bay Area Now 5, Yerba Buena Center for the Arts, San Francisco, CA
Modern Experiences, Istanbul Modern, Istanbul Museum of Modern Art, Turkey

2007    J.P. Morgan Chase Collection, Pera Museum, Istanbul, Turkey
    Istanbul Now, Lukas Feichtner Gallery, Vienna, Austria
    21st Annual Exhibition, Emeryville, CA
Modern and Beyond, Curator Fulya Erdemci, SantralIstanbul, Istanbul, Turkey
    Nev/Tepebaşı, Galeri Nev, Istanbul, Turkey

2005    Ã‡ini Için, Ä°znik Tiles Foundation, Hagia Sofia, Istanbul, Turkey
    Contaging Natur, Aksanat, Istanbul, Turkey
2nd Pedestrian Exhibition, Curators Fulya Erdemci and Emre Baykal, Karaköy, Istanbul, Turkey
Galeri Nev, Istanbul, Turkey

2004    Observation, Interpretation, Multiplicity, Istanbul Museum of Modern Art, Turkey

2003    Turkey-Plastic Dialogues: Verheugen Selection, City Hall, Brussels, Belgium
The Blue Room, San Francisco, CA
Galeri Nev, Istanbul, Turkey
Organized Conflict, Proje4L Museum of Contemporary Art, Istanbul, Turkey
    U.N. Art Center, Brussels, Belgium

2002     RundetÃ¥rn Art Center, Copenhagen, Denmark
    Permanent Collection, Istanbul Museum of Modern Art, Turkey
1st Pedestrian Exhibition, Curator Fulya Erdemci, Nişantaşı, Istanbul, Turkey

2001    Topkapı Museum, Istanbul, Turkey

2000    Space Time, Galeri Nev, Ankara, Turkey
Space Time, Galeri Nev Istanbul, Turkey

1999    Cover Contour, Galeri Nev, Istanbul, Turkey
    Cover Contour, Galeri Nev, Ankara, Turkey
    Re-Generation, University of California Art Gallery, San Diego, CA
    Crossing Zones, De Paul University Art Gallery, Chicago, IL
    Lack Excess, Galerie Nev, Ankara, Turkey
Lack Excess, Galerie Nev, Istanbul, Turkey

1998    San Jose Museum of Art, San Jose, CA
    Bolinas Museum of Art, Bolinas, CA

1997    Drawing First, Southern Exposure, San Francisco, CA

1995    Long Horizons, Falkirk Cultural Center, San Rafael, CA
    Nexus Gallery, Berkeley, CA
    I am Another, Charlottenborg Center for Arts, Copenhagen, Denmark

1994    Forms of Address, Walter/McBean Gallery, San Francisco Art Institute, CA
Nexus Institute Gallery, Berkeley, CA
    Zyzzyva, Victoria Room, San Francisco, CA
    Coming Across, Euphrat Museum-DeAnza College, Cupertino, CA

1993    Topkapı Museum, Istanbul, Turkey
    Southern Exposure, San Francisco, CA

1992    3rd International Istanbul Biennial, Istanbul, Turkey
    Sanart ’92, Ankara, Turkey
    Montgomery Gallery, San Francisco, CA
    Bemis Gallery, Bemis Foundation, Omaha, NE
    Garden of the Zodiac Gallery, Omaha, NE
    San Jose Institute of Contemporary Art, San Jose, CA
    Alsace Plurielle, Mulhouse, France

1991    Off the Wall, Sheldon Memorial Art Gallery, Lincoln, NE

1990    Richmond Art Center, Richmond, CA
    Bemis Gallery, Bemis Foundation, Omaha, NE

1989    Gallery Vienna, Chicago, IL
    Nerlino Gallery, New York, NY
    American Institute of Architects, San Francisco, CA

1988     Viridian Gallery, New York, NY

1987    California College of Arts and Crafts, San Francisco, CA


RESIDENCIES AND AWARDS

2012    The Kidder Residency in the Arts, Institute for the Humanities, Ann Arbor, MI
2007    Emeryville Public Arts Award, Emeryville, CA
2000    Cité Internationale des Arts, Paris, France
1999    Center for Mediterranean Studies, Georgetown University, Washington, DC
1998    Arts Council of Wales, Wales, UK
Berllanderri Sculpture Workshop, Wales, UK
1997    Gamblin Fellowship
Artist in Residence, Vermont Studio Center, St. Johnson, VT
1996    Artist in Residence, The Camargo Foundation, Cassis, France
1995    Artist in Residence, The MacDowell Colony, Peterborough, NH
1994    Western States Arts Federation (WESTAF)/NEA
1992    Artist in Residence, Bemis Foundation, Omaha, NE
1991    Artist in Residence, Bemis Foundation, Omaha, NE
1989    San Francisco Focus Design Award, San Francisco, CA


BIBLIOGRAPHY

2011    Baliç, Ilkay. Ikinci Sergi / Second Exhibition 2/2. Istanbul: Arter, 2011: 136-59.
Dostoglu, Haldun. Canan Tolon. Istanbul: Galeri Nev, 2011.

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2010    Sarıgedik Oktem, Esra. A Dream... But Not Yours: Contemporary Art from Turkey. Washington, DC: National Museum of Women in the Arts, 2010: 60-3.
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2009    Baker, Kenneth. “Three Artists at Fort Mason.” San Francisco Chronicle (July 4, 2009): E3.
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2008    Foster, Kenneth. Bay Area Now 5. San Francisco: Yerba Buena Center for the Arts, 2008: 94-5.
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2007    Erdemci, Fulya. Germaner, Semra and Koçak, Orhan. Modern ve Ötesi: 1950-2000 / Modern and Beyond: 1950-2000. Istanbul: Santralistanbul Bilgi Ãœniversitesi Yayınları, 2007: 428-33 (softcover); 404-9 (hardcover).
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2006    Tolon, Canan. “GezdirdiÄŸimiz Yerler.” Doxa (January 2006): 46-51.
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2005    Tolon, Canan. Tıkırında HerÅŸey. Ankara: Galeri Nev, 2005.
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2004    Tolon, Canan. GeçmiÅŸsiz Gelecek. Istanbul: Norgunk/Galeri Nev, 2004.
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2003    Erdemci, Fulya. Organize Ihtilaf / Organized Conflict. Istanbul: Proje4L, Istanbul Museum of Contemporary Art, September 2003: 164-71.
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“Resmin yeri neresi?” Radikal (September 27, 2003): 4.

2002    Erdemci, Fulya, curator. Istanbul Yaya Sergileri 1: KiÅŸisel Cografyalar Küresel Haritalar / Istanbul Pedestrian Exhibitions 1: Personal Geographies, Global Maps. Istanbul: Kolektif Productions, 2002: 225-30.
Akay Ali, Levent Çalıkoğlu and Haşim Nur Gürel. 60 Years 60 Artists. Istanbul: Eczacıbaşı Virtual Museum, 2002: 142-43.
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Antmen, Ahu. “Canan Tolon Sergisi.” Sanat Yıllığı (January 2002): 54-5.
Christensen – Ernst, Bente. Istanbul: An International Reflection. Copenhagen: Rundetarn Gallery, 2002: 76-9.
Åžener, Dilek. “Sanal Dünyanın Ä°mge Avcısı.” Milliyet Sanat (January 2002): 64-5.
Ãœnalın, Nevin. “Resim İçin Risk Gerek.” Cumhuriyet Dergi (January 13, 2002): 8.
“Sanat Yürüyor!” Vizyon (October 2002): 97.

2000    Madra, Beral. Istanbul GidiÅŸ-Dönüş III / Roundtrip Istanbul III. Istanbul: Borusan Culture and Art Center, 2000: 26-35.
    Cabra, Raul and Dung Ngo. American Furniture. New York: Universe Publishing/ Rizzoli, 2000: 156, 158-59.
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1999    Tolon, Canan. Futur Imparfait. Paris: P.A.U. Editions, 1999.
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    Madra, Beral. Multiples for Body and Soul. Istanbul: Borusan Culture and Art Center, 1999: 37.

1998    Lewallen, Constance. Limbo – An Interview with Canan Tolon. Istanbul: Galeri Nev, 1998.
    AliçavuÅŸoÄŸlu, Esra. “Rsim Yapmak Sorumluluktur.” Cumhuriyet (October 17, 1998): 21.
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1997    FilÄŸu. Lale. “Canan Tolon’un Pas ve Kahve Telvesiyle YarattiÄŸi Resimleri Ä°stanbul ve Ankara’da.” Vizyon (January 1997): 86-7.
    Köksal, Ahmet. “DoÄŸal izlenimlerden doÄŸal yorumlara.” Milliyet Sanat (January 15, 1997): 42-3.
1996    Junker, Howard. Zyzzyva (Spring 1996): 47-54.

1995    Artun, Ali. I Am Another: 11 Tyrkiske Kunstnere. Copenhagen: Charlottenborg Center for the Arts, 1995: 34-6.
    AkyavaÅŸ, Erol. “Canan Tolon benim için Türk resminin en taze seslerinden…” Vizyon (November 1995): 159.
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    Rapko, John. “An End to Nature: ‘Long Horizons at Falkirk Cultural Center.” ArtWeek (June 1995): 17-8.

1994    Bruce, Chris and Shields, Kathleen. Withinsight: Visual Territories of Thirty Artists. Santa Fe: Western States Arts Federation/NEA Publications, 1994: 85.
    Weiffenbach, Jean-Edith. Forms of Address. San Francisco Art Institute, 1994: 24, 25-6.
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    Artun, Ali and Selde SomuncuoÄŸlu. 1995-2000 Central Bank Collection of Turkish Modern Art.  Ankara: Central Bank of the Republic of Turkey, 1994: 257-59.
    Barbosa, Jeff. “Immigration Influences Artists’ Work.”  Cupertino Courier (March 9, 1994): 2.
Beylerian, George M. Chairmania. New York: Harry N. Abrams, 1994: 112.
Tuchman, Laura J. “A World Without Borders.” Mercury News (March 20, 1994): 3, 28.
    Tolon, Canan. “Immigrant Art, Commentary.” San Jose Mercury News (March 13, 1994): 17.   
    Tanner, Marcia. “Five Artists in Search of an Exhibition.” Artweek (November 3, 1994): 10-11.
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    Leal, Carolyn. “Coming Across: Euphrat Shows Works by Recent Immigrants.” The Neighbor (March 9, 1994): 10.
    Rindfleisch, Jan. Coming Across. Cupertino, California: Euphrat Museum of Art, 1994: 64-65.

1993    Melkonian, Neery. An Interview with Canan Tolon. Santa Fe: The Center for Contemporary Arts, 1993.
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    TansuÄŸ, Sezer. “Sahte Avangardın Avlanma Süreci.” Türkiye’de Sanat (May- August 1993): 28-33.
    HekimoÄŸlu, Müşerref. “Ankente Bir Kadın BaÅŸkan Yakışmaz mı.” Cumhurriyet Dergi (December 1993): 8.
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    Melkonian, Neery. “Istanbul: The Third International Art Biennial.” THE Magazine (January/ February 1993): 17-9.
Silverman, Jason. “Artist has a New Twist on Painting by the Numbers.” Pasatiempo (April 16, 1993): 4.

1992    Sherman, Ann Elliott. “Materials Reborn at SJICA.” Metro (April 16 1992): 45.
Deeds, Daphne. Seven Artists [Who Happen To Be Women]. Omaha: Bemis Foundation, 1992: 9.
    Kortun, Vasıf.  3. Uluslararası Istanbul Bienali / 3rd International Istanbul Biennial. Istanbul Foundation for Culture and Arts, 1992: 218.
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    Macmillan, Kyle. “An Adventure in 3-D.” Omaha World-Herald (July 17, 1992): 33, 37.
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    Celbulski, Frank. “SFDA Introductions ’92: Canan Tolon.” Artweek (August 6, 1992): 22.
    Huddleton, Joanne. “Introductions ’92.” The Arts Monthly (July 1992): 2.
Levin, Kim. “Significant Others in Istanbul.” The Village Voice (December 1, 1992): 54.
Köksal, Ahmet. “Bienal’den Ä°zlenimler.” Milliyet (October 26, 1992): 16.
Macmillan, Kyle. “An Adventure in 3-D.”Omaha World-Herald (July 17, 1992): 33,37.
Madra, Beral. “Fark Göremiyorum Ya Siz?” Cumhuriyet (November 29, 1992): 11.

1991    BehramoÄŸlu, Ludmila. “Hep Görülenri Görünür Kılmak.” Cumhuriyet (March 14, 1991): 7.
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    TansuÄŸ, Sezer. “Canan Tolon ve Ä°ki Sergisi.” Topaz (March 15, 1991): 48.

1989    Kollenbaum, Louise. “The San Francisco Focus Design Awards.” San Francisco Focus (July 1989): 42-3.

1988    Ã‡etinkaya, Ali. “Göz kamaÅŸtıran serge.” Hürriyet (December 10, 1988): 5.  

Thursday, April 4, 2013

PULSE New York announces 2013 Exhibitors — Artdaily

NEW YORK, NY.- PULSE CONTEMPORARY ART FAIRS presents PULSE New York 2013, from May 9-12, 2013 at the Metropolitan Pavilion in New York City. Marking its eighth New York edition, PULSE New York will present 60 national and international galleries exhibiting a blend of emerging and established artists working in all media from photography, painting, and sculpture to performance, installation, and video art. "The number of outstanding international galleries continues to be one of the fair's strengths, making PULSE New York 2013 the strongest fair to date. A testament to PULSE'S impact and appeal is that eight of the 13 galleries exhibiting in IMPULSE – our section dedicated to galleries presenting solo artist projects – are all drawn from separate countries outside of the U.S.," comments Cornell DeWitt, Director.

More Information: http://www.artdaily.com/index.asp?int_sec=2&int_new=61678#.UV3VTRkyGTN[/url]
Copyright © artdaily.org
NEW YORK, NY.- PULSE CONTEMPORARY ART FAIRS presents PULSE New York 2013, from May 9-12, 2013 at the Metropolitan Pavilion in New York City. Marking its eighth New York edition, PULSE New York will present 60 national and international galleries exhibiting a blend of emerging and established artists working in all media from photography, painting, and sculpture to performance, installation, and video art. "The number of outstanding international galleries continues to be one of the fair's strengths, making PULSE New York 2013 the strongest fair to date. A testament to PULSE'S impact and appeal is that eight of the 13 galleries exhibiting in IMPULSE – our section dedicated to galleries presenting solo artist projects – are all drawn from separate countries outside of the U.S.," comments Cornell DeWitt, Director.

More Information: http://www.artdaily.com/index.asp?int_sec=2&int_new=61678#.UV3VTRkyGTN[/url]
Copyright © artdaily.org
NEW YORK, NY.- PULSE CONTEMPORARY ART FAIRS presents PULSE New York 2013, from May 9-12, 2013 at the Metropolitan Pavilion in New York City. Marking its eighth New York edition, PULSE New York will present 60 national and international galleries exhibiting a blend of emerging and established artists working in all media from photography, painting, and sculpture to performance, installation, and video art. "The number of outstanding international galleries continues to be one of the fair's strengths, making PULSE New York 2013 the strongest fair to date. A testament to PULSE'S impact and appeal is that eight of the 13 galleries exhibiting in IMPULSE – our section dedicated to galleries presenting solo artist projects – are all drawn from separate countries outside of the U.S.," comments Cornell DeWitt, Director.

More Information: http://www.artdaily.com/index.asp?int_sec=2&int_new=61678#.UV3VTRkyGTN[/url]
Copyright © artdaily.org
NEW YORK, NY.- PULSE CONTEMPORARY ART FAIRS presents PULSE New York 2013, from May 9-12, 2013 at the Metropolitan Pavilion in New York City. Marking its eighth New York edition, PULSE New York will present 60 national and international galleries exhibiting a blend of emerging and established artists working in all media from photography, painting, and sculpture to performance, installation, and video art. "The number of outstanding international galleries continues to be one of the fair's strengths, making PULSE New York 2013 the strongest fair to date. A testament to PULSE'S impact and appeal is that eight of the 13 galleries exhibiting in IMPULSE – our section dedicated to galleries presenting solo artist projects – are all drawn from separate countries outside of the U.S.," comments Cornell DeWitt, Director.

More Information: http://www.artdaily.com/index.asp?int_sec=2&int_new=61678#.UV3VTRkyGTN[/url]
Copyright © artdaily.org



NEW YORK, NY.- PULSE CONTEMPORARY ART FAIRS presents PULSE New York 2013, from May 9-12, 2013 at the Metropolitan Pavilion in New York City. Marking its eighth New York edition, PULSE New York will present 60 national and international galleries exhibiting a blend of emerging and established artists working in all media from photography, painting, and sculpture to performance, installation, and video art. "The number of outstanding international galleries continues to be one of the fair's strengths, making PULSE New York 2013 the strongest fair to date. A testament to PULSE'S impact and appeal is that eight of the 13 galleries exhibiting in IMPULSE – our section dedicated to galleries presenting solo artist projects – are all drawn from separate countries outside of the U.S.," comments Cornell DeWitt, Director.

[...]

Additional highlights include Ali Kazma – recently selected for the Turkish Pavilion at the Venice Bienale – in the booth of C24 (New York); three Memphis artists Dwayne Butcher, Tad Lauritzen Wright, and Greely Myatt representing the New Southern Vernacular at David Lusk Gallery (Memphis); Tyler Rollins Fine Art (New York) showing wall reliefs from Cambodian artist Sopheap Pich, who currently has a solo exhibition at The Metropolitan Museum of Art, and paintings and installation by one of Indonesia's most recognized artists Agus Suwage, in addition to Tracy Moffatt, Araya Rasdjarmrearnsook, and Pinaree Sanpitak; after experiencing a blockbuster PULSE Miami 2012, DC-based ADAMSON GALLERY presenting work by iconic artists Chuck Close, Adam Fuss, Robert Longo and Gordon Parks; Von Lintel Gallery's (New York) presentation balancing abstraction and representation, including Canan Tolon's shimmering canvases, Dana Melamed's Piranesian wall-mounted sculptures, Mark Sheinkman's abstract graphite paintings, and John Chiara dream-like California landscapes captured by a hand-built, room-size camera...

Read full post @ Artdaily

JOHN CHIARA @ Rose Gallery | MOPA Blog Review




By Chantel Paul

When it comes to curating exhibitions, one of my favorite experiences is working with contemporary photographers. It allows for the interaction I would never be able to have with the masters who have paved the way, like Manuel Alvarez Bravo, Harry Callahan and Ruth Bernard. Towards the end of last year, I had the pleasure of meeting some wonderful photographers for MOPA’s upcoming fall exhibition Staking Claim: A California Invitational. One of these photographers has just opened an exhibitoin of new work  at Rose Gallery in Santa Monica. His name is John Chiara and as a contemporary photographer, he’s using one of the oldest forms of
equipment to make his incredibly dreamy and powerful images, the camera obscura. And not just any camera obscura, but one large enough for him to crawl inside, cut a piece of paper off a roll, and tape it to the back wall for exposure! Don’t believe me? Watch this video from 2006 to see for yourselves how he does it. Photographs like this don’t come easy. It’s taken Chiara years to perfect his craft and the work has paid off. His work is one more reason to mark to your calendars for the opening of Staking Claim: A California Invitational on October 12th here at MOPA. Until then…enjoy!

Read original post @ MOPA

CANAN TOLON | SOMEWHERE NOW, APRIL 18 – MAY 25, 2013

Canan Tolon
Untitled 4.3, 2013
oil on canvas
24 x 24 inches

CANAN TOLON, SOMEWHERE NOW, APRIL 18 – MAY 25, 2013   

Von Lintel Gallery is pleased to announce our first solo exhibition of paintings by Canan Tolon.

Canan Tolon's paintings at first appear as purely abstract, but with time the eye discovers familiar urban landscapes in the rhythmic painted streaks. She explores the visualization of space by creating an illusion of depth and engages the viewer in the game of seeking recognizable imagery and inventing a visual narrative. The black and white pieces in particular allude to the documentary quality of photography, suggesting reality where there is only imagination. Like a distant mirage, the viewer is drawn into the work, wanting to explore the multiple layers of information. With even closer inspection, the elusive vistas dissolve back into abstract patterns revealing the painting's deception. This duality makes the imagery unstable, flickering between truth and illusion to create an ever-interesting visual feast. 

Born in Istanbul, Tolon trained as an architect and holds a Masters from the University of California at Berkeley. In addition to her paintings, she is also well known for her large-scale installation work. She has exhibited internationally since 1984, including shows at the San Francisco Museum of Modern Art, Rotterdam's Museum Boijmans Van Beuningen, the Istanbul Modern Museum, and London's Saachi Gallery. In 2012, she was named one of Art+Auction's 50 Next Most Collectible Artists. Tolon lives and works in the California Bay Area.
 

The exhibition is accompanied by an illustrated catalogue.

ROSEMARIE FIORE | Savannah Now Review

Rosemarie Fiore
“Firework Drawing #13,” 2009,
lit firework residue on paper
Courtesy of the artist and SCAD Museum of Art

Over the past decade, New York artist Rosemarie Fiore has used lawn mowers, waffle irons, pinball machines, floor polishers and even amusement park rides to create critically acclaimed paintings.
“I’ve chosen to collaborate with machines to create my work,” she says. “I use machines as mark-making tools. For me, paint just isn’t enough.”

In her latest work, Fiore harnesses the pyrotechnic power of fireworks to create series of experimental collages on paper. Her “Firework Drawing” series — on display at the SCAD Museum of Art through May 12 — illustrates her experiments with fireworks, smoke bombs and smoke canisters to create large-format abstract works. 

Fiore uses fumage, an innovative technique pioneered by Austrian Surrealist Wolfgang Paalen in the 1930s, to “paint” with smoke. The results are nothing short of explosive. By igniting commercial fireworks and harnessing the dense smoke in canisters, she blends colors, enhances textures and captures the singed residue on paper. Her preferred fireworks include color smoke bombs, jumping jacks, monster balls, rings of fire and lasers.

“My work is a battle between control and chaos,” she admits. “I can’t completely control the process because the smoke is unpredictable.”

Fiore first discovered this unconventional process in 2001 during an artistic residency in Roswell, N.M. 

“I dropped a device on the floor on the Fourth of July by accident,” she says. “It rolled and created a dotted blue line.”

She quickly realized the mark-making potential of fireworks and began experimenting with incendiary devices. Inspired by Yves Klein’s fire paintings created with blowtorches and John Cage’s use of chance to compose music, Fiore developed a technique using coffee cans, buckets and other containers to harness the pigment-rich smoke.

“When I start lighting things off, I get lost in the process,” she says. “It’s like time slows down, and I’m able to manipulate and control the process.”

“Firework Drawings” offers a selection of five large-scale collages comprised of vibrant geometric forms marked by burns, scars and singe marks. Some of the collages suggest cosmic themes, while others allude to molecular activity. 

In “Firework Drawing #13,” she layers richly colored circles to suggest the movement of planets through space. Hues ranging from pale melon and light sage to deep crimson and midnight blue evoke mutable interstellar orbs. 

By contrast, “Firework Drawing #65” embodies the explosive violence of fireworks in an image strategically sliced and reassembled, angular shards of colors defining the central axis.
Fiore drags canisters across paper to create elongated forms recalling shooting stars. These works create the illusion of depth in two dimensions through combinations of color and form.

Defined by a sophisticated manipulation of line, color and texture, her work captures the raw energy and childlike excitement of a nighttime fireworks display. The ethereal nature of the material appeals to Fiore, who continues to experiment with a wide range of unconventional materials at her studio in the Bronx.

“I’ve spent many years working with smoke,” she says. “I love the ephemeral nature of the medium. That’s what draws me to it. It’s there one second, and then it’s gone. I love capturing its presence.”

ABOUT THE ARTIST

Born in New York in 1972, Rosemarie Fiore earned a B.A. from the University of Virginia and an M.F.A. from The School of the Art Institute of Chicago. Her work has been featured in dozens of solo and group exhibitions and has earned critical acclaim.


IF YOU GO

What: “Rosemarie Fiore: Firework Drawings” 

Where: SCAD Museum of Art, 601 Turner Blvd. 

When: Through May 12; reception at 6:30 p.m. Feb. 19 as part of the 2013 deFINE ART Gallery Hop

Hours: 10 a.m. to 5 p.m. Tuesday, Wednesday and Friday; 10 a.m. to 8 p.m. Thursday; noon to 5 p.m. Saturday and Sunday 

Cost: $10 general admission, $8 senior/military; $20 family admission (3 or more); $5 SCAD alumni; free for SCAD students, faculty and staff and children younger than 14 

Info: 912-525-7191, www.scadmoa.org

Read original post @ Savannah Now 

ROSEMARIE FIORE @ SCAD Museum of Art


Rosemarie Fiore, "Firework Drawing #6,"
lit firework residue on paper, 82.5" x 66", 2009.
Courtesy of the artist.

Rosemarie Fiore
 
Firework Drawings
Jan. 8 - May 12, 2013
 
"Firework Drawings" is a selection of large-scale works on paper created using live fireworks and their pigments. Employing this distinctive medium in a performative process, Fiore strikes a balance between control and chance, the lasting and the evanescent.

This dynamic selection demonstrates a strong interplay between powdery, amorphous ground and a complex and sophisticated manipulation of line, color and collage that in turn translates the raw energy and refined excitement of a fireworks display.

Presented as part of the 2013 deFINE ART program

Reception: Tuesday, Feb. 19, 6:30-8 p.m.

The exhibition is free with SCAD Museum of Art admission.

The reception is free and open to the public as part of the deFINE ART gallery hop.

Learn more about exhibitions and events at other SCAD galleries.


ROSEMARIE FIORE | New Representation

Rosemarie Fiore Firework Drawing #74, 2011
lit firework residue on Fabriano paper
48 1/4 x 59 1/2 inches
Rosemarie Fiore is now represented by Von Lintel Gallery. We will present our first solo show of her paintings created with live fireworks in September 2013. Fiore's work is currently on view at the SCAD Museum of Art in Savannah as part of an exhibition that will travel to Atlanta and Hong Kong.

DANA MELAMED | Duality of Matter — Video