VON LINTEL GALLERY

Saturday, May 16, 2015



By David Pagel

May 15, 2015

If ants had cameras—as well as helicopters, drones and hydraulic lifts—they might make photographs that look a lot like Edward Burtynsky’s sublime pictures of the marks humans have made on our planet.

These include massive dams, mines, wells and farms, alongside quarries, irrigation systems and flood control plains. At Von Lintel Gallery, the Canadian photographer, who has traveled the globe to make his stunning images, invites visitors to see humanity as a species—not as unique individuals who stand out from the crowd, but as indistinguishable, and very small, components of a much larger whole—like ants in a colony.

That’s a fascinating perspective, partly because it flies in the face of the way we usually look at art—as an embodiment of the singular genius of singular geniuses—and partly because it gets us to look at the big picture: our global economy in which some fundamental resources—like water, air and food—may not be able to sustain the rate at which humans have been reproducing. What that means for life as we know it is the subject of Burtynsky’s panoramic landscapes.

Beauty and ugliness, nature and industry, exist cheek-by-jowl in his crystal-clear pictures. Some are hellish, their glistening lakes of radioactive oil bleeding from the Earth like a toxic wound that won’t heal. Others are gorgeous, their snow-capped peaks and steep ravines so breathtakingly vast that they make human beings seem inconsequential.

Most are both. A drone’s-eye view of a dam under construction on the Yangtze River presents an entirely manmade landscape that looks utterly alien, like a concrete spaceship so far out in the galaxy that it’s impossible to tell up from down, left from right, right from wrong. Shot from helicopters, two views of terraced mountainsides, where Chinese farmers grow rice, show what daily labor adds up to when it’s done over centuries.

Above all else, Burtynsky’s pictures are humbling. Sober and sensible, they make it clear just how little individuals can do on our own while suggesting that as a group we have a lot to learn from ants.

Read more @ LA TIMES

Friday, May 8, 2015

Edward Burtinynsky's "Nature Transformed" @ Von Lintel Gallery, Los Angeles | Juxtapoz Magazine Feature




Von Lintel Gallery is pleased to present an exhibition of large-format color photographs by renowned photographer, Edward Burtynsky. the photographer is known for his incisive look at landscapes reshaped by human interference. Nature Transformed primarily culls from Water, a five-year project chronicling the dramatic effects of manufacturing and consumption on the world’s most vital and rapidly depleting resource. Science fiction-esque irrigation plots in Texas, ancient carved stepwells in India, and geometric rice terraces in China are translated in vivid color and crystalline detail from upwards of 7,000 feet. The aerial perspective necessarily brings into focus the massive scale and impact of these systems employed to redirect and control water. “I document landscapes that, whether you think of them as beautiful or monstrous, or as some strange combination of the two, are clearly not vistas of an inexhaustible, sustainable world,” Burtynsky states. “We have to think more long-term about the consequences of what we are doing, while we are doing it. My hope is that these pictures will stimulate a process of thinking about something essential to our survival, something we often take for granted—until it’s gone.”

Also on view are images depicting the pitch black Volcanic sands of Iceland, marking Burtynsky’s return to pristine wilderness for the first time in over thirty years, and photographs from the Oil series: rectilinear rigs in Asia and tar sands operations in Alberta, Canada

Exhibtion runs: April 25 -June 20, 2015

Read original article @ Juxtapoz Magazine
 

Perspective Paris Photo Los Angeles 2015 | Klea McKenna Featured in Collector Daily






Editor’s Note: The Paris Photo Los Angeles fair held last weekend was one we unfortunately couldn’t attend in person, but we asked Carol Lee Brosseau to gather up her image highlights as a proxy for actually walking the halls ourselves. Carol Lee is an LA-based art advisor, appraiser, and former gallery director at Joseph Bellows Gallery (her site is here). We’ve known Carol Lee for the better part of a decade, and she has always had an uncanny ability to understand our eclectic eye for work. While she has been able to highlight images that fit into our personal collection with surprising consistency over the years, the choices and comments below are her own. -LK

By Carol Lee Brosseau / In Art Fairs / May 5, 2015
 

Paris Photo! In Los Angeles! On a New York back lot!

To me, Paris Photo LA at Paramount Pictures Studios is one of the most fun art fairs to attend. The relaxed and entertainment-driven atmosphere is a welcome antidote to the often hectic grind of other art fairs. While the majority of galleries are set up in booths on the larger sound stages, several galleries and the book dealers are set up in the “brownstones,” “shops,” and “cafés” of the New York City street back lot. The result is essentially a faux city where guests can go door-to-door, just like gallery hopping in Chelsea. It’s like The Truman Show…with photographs.

Visitors snack on tacos from food trucks and sip wine or beer on any one of the “New York City stoops,” chatting, people watching, and celeb spotting. The outdoor spaces and sunny LA weather make the fair quite a pleasant place to be.

This year there are 80 galleries and book dealers from 17 countries. The inclusion of so many international galleries is nice as they offer fresh work not often seen in LA. The fair is heavy on contemporary photography. There are some vintage photographs and older work sprinkled around, but the vast majority of the work is medium to larger-scale contemporary.

Missing from the fair are a lot big names in photography, referring to both dealers and photographers. (Galleries such as Gagosian and Fraenkel, who have participated in past years, were absent this year. And it’s been a while since I’ve been to a photo fair with out seeing an Eggleston.) I couldn’t help but think it would be nice to have more classic photography and more of the staple photo dealers there to give context and to balance out much of the newer work and younger galleries. But I suppose when you’re standing in a temporary plywood room just inside a brownstone façade on an artificial New York street in Los Angeles, the need for context has already been eliminated. And it is in fact refreshing to see so many new galleries and new work represented.

All in all, Paris Photo LA is a great way to spend an afternoon or a weekend and see lots of art. Here are some of the highlights for me.

Read original article @ Collector Daily

 

Thursday, April 30, 2015

artsy | Jamie Lee Curtis Picks the 9 Best Works from Paris Photo L.A.

For actress Jamie Lee Curtis, the early 1980s began her heyday as the horror genre’s “Scream Queen,” her marriage to Christopher Guest, and the couple’s foray into art collecting—photographs and original cartoons. In advance of Paris Photo Los Angeles, Curtis, still an avid photography collector, picked out the nine works that she finds most compelling at the fair.

In 1984 we were newlyweds, living in TriBeCa while [Guest] was doing a year on SNL, and it was only a few years after Cindy Sherman’s work had first started to be exhibited. I saw a piece in a magazine about her work and Chris and I went to Metro Pictures and wondered if we should buy an “Untitled Film Still” or the new, bigger, color work. The platinum blond, in a suit with fists clenched, reminded me of the town where I grew up—and so we bought it. I remember at the time that it was costly but in our new marital partnership, a wonderful first art purchase together.

Over these 30 years we have added to our collection with an eclectic group of images. We are not art snobs, we don’t read art criticism, and we don’t work with an art consultant. We buy what we like—what moves us and what we can afford. We have some masters of the form, Irving PennSally MannSebastião Salgado, alongside newer photographers; a Shawna Ankenbrandt nude hangs next to an Alexandra Hedison composite. I recently bought two pieces from my niece, Lena Hindes, who, for her senior art piece in high school, did this work as her reaction to the shaming of pubic hair in today’s society. They are photographs that she crocheted over. Stunning work and so exciting.

Dryland Farming #2, Monegros County, Aragon, Spain, 2010


I love Edward Burtynsky’s work at Von Lintel Gallery. His perspective on the beauty of nature and its power is very strong. It reminded me of Salgado's "Genesis" at Peter Fetterman. It’s a grand perspective, an emotional understanding of life. 

Read more @ artsy

artnet | Paris Photo Los Angeles Is Set to Have Its Best Year Yet—See Why




By Cait Munro, Monday, April 27, 2015 

Opening May 1, Paris Photo Los Angeles is back for its third consecutive year at Paramount Pictures Studios, bringing the best photography from around the world to the city of the silver screen. With 80 galleries from 17 countries, it's a shutterbug's paradise (see Paris Photo LA Taps the West Coast's Emerging Art Market). 

Unlike larger, less specialized fairs where gallerists often choose to feature a single artist, most of the galleries showing at Paris Photo are bringing works from an assortment of the photographers in their stable. Of course, for those that exclusively deal in photography, it's a tougher choice. 

Read more @ artnet 

Paris Photo comes back to L.A. | VLG Featured in California Sunday Magazine



From May 1 to 3, Paris Photo, the international art fair for photography and video, will take over much of Paramount Pictures Studios in Hollywood for its third edition. More than 75 art galleries and book publishers will set up on soundstages and in backlots. Here is a look at some of the images that will be on exhibit, selected by California Sunday Photography Director Jacqueline Bates, from artists and galleries in the West, Asia, and Latin America. 

Read more @ California Sunday Magazine