ROGER ACKLING
1947
born in Isleworth, London
lives and works in Norfolk
Studied at St Martin's College of Art, London
Solo Exhibitions
2012
Von Lintel Gallery, New York
Galerie Josine Bokhoven, Amsterdam
Ingleby Gallery, Edinburgh
Annely Juda Fine Art, London Galerie Inga Kondeyne, Berlin Rosa Turetsky Gallery, Geneva
2011
The Holly Stubbings Gallery, Norwich
Galerie Michael Sturm, Stuttgart
Cairn Gallery, Nailsworth, Gloucestershire
Chelsea Space, London
Galerie Peter Lindner, Vienna
The Anteros Arts Foundation, Norwich
Norwich University College of the Arts (N.U.C.A.), Norwich
Charles Booth-Clibborn, London
2010
Galería Elvira González, Madrid
The Cut Arts Centre, Halesworth, Suffolk
Galerie Gisèle Linder, Basel Schmidt Contemporary Art, Saint Louis
2009
Imprints-Galerie, Le Vieux Village
Galerie Lydie Rekow, Crest
The Pier Arts Centre, Stromness, Orkney
Tadashi Takahashi Gallery, Tokyo
R2, Takasaki
Concept Space, Shibukawa
2008
Verein allerArt, Bludenz
Annely Juda Fine Art, London
2007
Konstruktiv Tendens, Stockholm
Rosa Turetsky Gallery, Geneva
Unique Space, Geneva
2006
Galerie Peter Lindner, Vienna
Galerie Gisèle Linder, Basel
Von Lintel Gallery, New York
Annandale Galleries, Sydney
2005
Concept Space, Gunma, Japan
Galerie Josine Bokhoven, Amsterdam
Rabley Contemporary Drawing Centre, Wiltshire
2004
Crawford Arts Centre, St Andrews
Ingleby Gallery, Edinburgh
Victoria Munroe, Boston
2003
Annely Juda Fine Art, London
2002
Galerie Michael Sturm, Stuttgart
Von Lintel Gallery, New York
Galería Elvira González, Madrid
2000
Von Lintel & Nusser, New York
Galerie Gisele Linder, Basel
Galerie Lydie Rekow, Crest
Mappin City Art Gallery, Sheffield
Schoenthal Monastery, Basel
Galerie von Lintel & Nusser, Munich
1999
The Sainsbury Center, Norwich
Galerie Rosa Turetsky, Geneva
Josine Bokhoven, Amsterdam
Henie Onstad Center, Oslo
1998
Galerie Thomas von Lintel, Munich
Academie Beeldene Kunsten, Maastricht
Mark Moore Gallery, Santa Monica
Annely Juda Fine Art, London
Galerie Laage-Salomon, Paris
1997
Mead Gallery, Warwick Arts Center, University of Warwick
Angel Row Gallery, Nottingham
Inverleith House, Royal Botanical Gardens, Edinburgh
Peninsula, Eindhoven
Galerie Peter Linder, Vienna
1996
Museum of Modern Art, Wakayama
Cairn Gallery, Nailsworth
Galerie Gisele Linder, Basel
1995
P.P.O.W., New York Galerie Thomas von Lintel, Munich
Plymouth Arts Centre, Devon
Palais Thurn & Taxis, Bregenz
Second Floor Space, Reykjavik
1994
Rosa Turetsky, Geneva
Annely Juda Fine Art, London
Galerie Lydie Rekow, Crest
Galerie Gisele Linder, Basel
H.S. Steinek, Vienna
1993
R2, Takazaki
Concept Space, Shibukawa
White Art Gallery, Toky Galerie Laage-Salomon, Paris
Galerie Josine Bokhoven, Amsterdam Rhona Hoffman Gallery, Chicago
1992
Angles Gallery, Santa Monica
Laura Carpenter Fine Art, Santa Fe
1991
Centre D'Art Contemporain, Genf
Galerie Renee Ziegler, Zurich
Galerie Lydie Rekow, Crest
Charles Booth-Clibborn, London
R2, Takazaki
Concept Space, Shibukawa
White Art Gallery, Tokyo
Ann Westin Gallery, Stockholm
Laage-Salomon, Paris
1990
Cairn Gallery, Nailsworh, Gloucestershire
Vaughan & Vaughan, Minneapolis
Annely Juda Fine Art, London
1989
Graeme Murray, Edinburgh
P.P.O.W., New York
White Art Gallery, Tokyo
Concept Space, Shibukawa
1988
Musee d'Arles, Cloitres de St. Trophine
1987
Barn Gallery, Lincoln
White Art Gallery, Tokyo
Gillespie-Laage-Salomon, Paris
Juda Rowan Gallery, London
1986
Concept Space, Shibukawa
White Art Gallery, Tokyo
Amano Gallery, Osaka
Cairn Gallery, Nailsworth, Gloucestershire
Contemporaine, Val-de-Vesle
Association Silo, Centre de Creation
Howard Gardens Gallery, Cardiff
1985
Concept Space, Shibukawa
White Art Gallery, Tokyo
Amano Gallery, Osaka 1984
Bradbury and Birch Fine Art, London
Francoise Lambert, Milan
Kumo Gallery, Tokyo
Amano Gallery, Osaka
Lisson Galllery, London
Gillespie-Laage-Salomon, Paris
1983
Coracle Press, London
Kumo Gallery, Tokyo
RYO Gallery, Kyoto
Amano Gallery, Osaka
Coracle Press, London
1982
Francoise Lambert, Milan
1981
Galerie Loyse Oppenheim, Lyon
Gillespie-Laage-Salomon, Paris
Front Room, London
Coracle Press, London
Lisson Gallery, London
1980
Front Room, London
1979
Marina Urbach, New York
Gillespie-Laage, Paris
Lisson Gallery, London
Graeme Murray, Edinburgh
1978
Graeme Murray, Edinburgh
Gillespie-Laage, Paris
Marina Urbach, New York
1977
Lisson Gallery, London 1976
Lisson Gallery, London
L.C.F. Gallery, London
Public Collections
Arts Council of Great Britain
Association Silo, Val-de-Vesle
Ballinglen Arts Foundation, Mayo, Ireland
British Council
British Government Collection
British Museum, London
Centre d'Art Contemporain, Geneva
Century American Corporation, Chicago
Cheltenham City Art Gallery & Museum
Contemporary Art Society, London
Fifth Floor Foundation, New York
First National Bank of ChicagoFogg Art Museum, Boston
Fonds National d'Art Contemporain, Paris
Fonds National d'Art Contemporain, Picardie
Fonds Regional d'Art Contemporain, Champagne
Fonds Regional d'Art Contemporain, Normandy
Fruit Market Gallery, Edinburgh
Furkart, Furkapasshöhe, Switzerland
Gallery of New South Wales, Sydney
Guerlain Foundation, Paris
Hiroshima City Museum of Contemporary Art
Hood Museum of Art, New Hampshire, USA
John D. and Catherine T. MacArthur Foundation, Chicago
Kettle’s Yard, Cambridge
Kreissparkasse, Reutlingen
Kunsthaus, Zürich
Kunstmusem Basel
McCory Stores Corporation, New York
Ministère de la Culture de la Region, Brittany
Museum Biedermann, Donaueschingen
Musée de l’Arles, Cloître St. Trophime
Museo Cantonale d'Arte (Panza di Biumo Collection), Lugano
Museo de Arte Contemporaneo Esteban Vicente, Segovia
Musée de Grenoble
Museum Folkwang, Essen
Museum Moderner Kunst, Vienna
Naples Museum of Art, Florida
National Gallery of Iceland
Norwich University College of the Arts (N.U.C.A.), Norwich
The Pier Arts Centre, Stromness, Orkney
S.A.F.N., Reykjavík
Sculpture at Schoental Monastery, Langenbruck
Scottish National Gallery of Modern Art, Edinburgh
Setagaya Art Museum, Tokyo
SILO, Reims
S.O.N.S. Museum, Kruishoutem
Southampton City Art Gallery
Tate Collection, London
Tokyo Metropolitan Art Museum
U.B.S Bank of Switzerland
University of East Anglia, Norwich
Victoria and Albert Museum, London
Vienna National Film Library
The Reykjavík City Museum
Palais Thurn und Taxis, Bregenz
Stedelijk Museum, Amsterdam
The Museum of Modern Art, Wakayama
Bibliography
Mel Gooding, Song of the Earth, RA0577 illustrated on page 35, 2002
Roger Ackling, The New Yorker, January 15, 2001
Tadeus Pfeifer, 'Spannende Ruhe' (review of exhibition at Gisèle Linder Gallery), Basler Zeitung, 17
March 2000
John Haldane, 'Back to the Land', Art Monthly, June 1999
Juan Cruz, 'Roger Ackling', Review of exhibition at Annely Juda Fine Art, Art Monthly, July 1998
William Packer, 'Age shall not wither the artists', Financial Times, 9 June, 1998
Set Aside. Roger Ackling, ex. cat. Annely Juda Fine Art, London 1998
Black Sun. Roger Ackling, Ex.cat. Mead Gallery, Warwick Arts Center, University of Warwick/
Angel Row Gallery, Nottingham/ Inverleith House, Royal Botanical Garden, Edinburgh 1997
ARTI, Volume 24, May 1995
W. Packer, Review der Ausstellung bei Annely Juda Fine Art, in: The Financial Times, May 31, 1994
Review der Ausstellung bei Annely Juda Fine Art, 'Untitled' , review of contemporary art, Summer 1994
Review der Ausstellung bei Annely Juda Fine Art, in: The Christian Science Monitor, 26 May 1994
Review der Ausstellung bei White Art Gallery, Tokio, in: Bijutsu Techo, May 5, 1994
D. Pieters and M. Peeters, in: NRC-Handelsblad, June 25, 1993
Review der Ausstellung in der Galerie Josine Bokhoven, Amsterdam, in: Voorkeur, June 24, 1993
S. Roter, 'Konfrontation statt Kunstkonsum: "une forme une surface un volume" in der Basler
Galerie Gisele Linder', in: Basler Zeitung, July 10, 1992
S. Ellis: Pasatiempo, The Santa Fe, New Mexican Weekly Arts & Entertainment Magazine, 5/3/92
P. J. Tarchinski, 'Culture Plays Pivotal Role in Artworks', in: Journal North, Santa Fe, 5/2/92
G. Fauntleroy: 'Ackling has a burning desire to create his own style of art', in: Pasatiempo,
The Santa Fe, New Mexican Weekly Arts & Entertainment Magazine, 27. March 1992
F. Nyffenegger, 'Mes dix plaisirs esthetiques', in: La Tribune de Genève, November 21, 1991
F. Nyffenegger, 'Du bois au fer', in: La Tribune de Genève, November 2/3, 1991
L. Chauvy, 'Le soleil, Maytre d'oeuvre', in: Gazette de Lausanne, October 22, 1991
N. El Beblawi, 'Experience poetique traduite', in: Journal de Genève, October 22, 1991
M. Allthorpe-Guyton, 'Territorial Rights' in: Artscribe 1991
T. Warner, 'Norfolk Portfolio', in: Arts Review, October 18, 1991
Nikkei Art, April 1991
M. Gooding, 'Reclamations and Reminders: Roger Ackling's sculpture', in: Art Monthly,March 1991;
S. Hubbard, in: Time Out, February/ March 1991
D. Lee: 'London Reviews', in: Arts Review, February 23, 1990
W. Feaver, 'Warm fronts to whet a weatherman's appetite', in: Observer, February 25,1990
M. Vaizey, 'Invitation into magical worlds', in: The Sunday Times, February 25, 1990
W. Packer, 'Sculpture tailored from the countryside' in: Financial Times, February 3,1990
D. Bonetti, 'A very English way with wood sculpture', in: San Francisco Examiner, 1/23/90
M. Brenson, 'Roger Ackling', in: The New York Times, June 9, 1989
J. Perron, 'Magnifying lens becomes artist's tool', in: The Japan Times, April 2, 1989
W. Packer, 'Two sculptors' time and place', in: Financial Times, March 12, 1987
M. Bohm-Duchen, 'Lijn, Ackling, Wentworth, Deacon', in: Art Monthly, May 1987
S. Kent, in: Time Out, March 25, 1987
W. Packer, in: Financial Times, March 12, 1987
Artist through the magnifying glass', in: The Independent, March 6, 1987
L. Berryman, 'Roger Ackling', in: Arts Review, March 27, 1987
J. Shiodain: Bijutsu Techo, 1986
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