Amy Ellingson
Variation (yellow, with emblem), 2011
oil and encaustic on panel
40 x 40 inches
Driven to Abstraction
Featuring work by
Variation (yellow, with emblem), 2011
oil and encaustic on panel
40 x 40 inches
Driven to Abstraction
Featuring work by
Andrea Belag
Lisa Corinne Davis
Amy Ellingson
Catherine Howe
Rebecca Smith
Dannielle Tegeder
Canan Tolon
Carrie Yamaoka
June 9 – July 23, 2011
Opening reception: Thursday, June 9, 6 – 8 PM
AMY ELLINGSON
STATEMENT
My work exaggerates the dichotomy between
the lightning-fast process of digital rendering and the painstaking method of
execution through traditional oil and encaustic painting techniques. All of my
imagery, whether geometrically intact or abstracted and chaotic, is comprised
of a vocabulary of very simple forms that are digitally manipulated. The
paintings consist of many interrelated layers of repeating geometric
forms—straight lines and arcs, primarily—that I compose on the computer. I replicate these basic elements into
an increasingly complex field that I then render in discreet layers of oil and
encaustic paint. Using ephemeral, computer-generated images exclusively as my
source material, I create paintings that physically assert themselves through
the materiality and permanence of historical painting media. The translation from the ‘virtual’ to
the ‘real’ is paramount.
My
interests lie in the practices of formal repetition, variation and mutation
within limited serial networks. The works are created through a series of steps
intended to conflate the systemic and the gestural. Working within a self-reflexive system—borrowing,
distorting, manipulating, copying and pasting, re-contextualizing—I am able to
create a personal language that is hermetic, yet flexible and mutable. Digital tools enable me to develop a
vocabulary of forms that are used, grabbed, reused, and manipulated beyond
recognition, resulting in a ‘signature’ vernacular of marks that are
predetermined via digital processing.
AMY ELLINGSON
Bio
No comments:
Post a Comment