Tuesday, February 8, 2011


Schick, Dr. Ulrike, "When Drawing Becomes Painting While Representing the Ephemeral", Museum Gegendstandfreier Kunst catalogue, 2009
Finch, Elizabeth, "New York/New Drawings, 1946 - 2007", Exhibition catalogue, Museo d’arte contemporaneo Esteban Vincente, 2009

Lafont, Isabel, "Una privilegiada ventana con vistas a las vanguardias", El Pais, January 28, 2009

Bauer-Vonderwarft, Zacharias, "Bei Frühsorge: Mark Sheinkman hämmert im Hirn", Die Welt, January 24, 2009

Cash, Stephanie, "Mark Sheinkman at Von Lintel," Art in America, March 2008

Amy, Michael, "Mark Sheinkman: Drawing with Light," Exhibition catalogue, 2007
Giovannini, Joseph, "Bold Gesture in New York," Architectural Digest, April, 2007

Newhall, Edith, "Extending Boundaries of Drawing: Mark Sheinkman and Annabel Daou exhibit at Gallery Joe," The Philadelphia Inquirer, January 12, 2007

Fallon, Roberta, "Editor's Pick: Mark Sheinkman Drawings, Annabel Daou Book of Hours", Philadelphia Weekly, January 17, 2007

Fox, Catherine, "Exquisite Abstraction show at White Space is Smart and Satisfying", The Atlanta Journal-Constitution, December 31, 2006

Keller, Maximilian, "Aus den Galerien- Galerie Fruehsorge, Mark Sheinkman", Die Welt, May 23, 2005

Kaufman, Gina, "On Your Mark, The Kemper gets physical", The Pitch, March 16, 2005

Thorson, Alice, "Sheinkman's abstracts embrace both logic and enigma", Kansas City Star, February 13, 2005
Williamson, Lisha, "Mark Sheinkman's Way", University News, February 7, 2005

Edelman, Robert, "Mark Sheinkman: Between Gesture and Void", Kemper Museum Catalog, January, 2005

Haber, John, "Gallery-Going: Chelsea in Spring 2004" 

Miller, Andrew, "Line 'Em Up: Mark Sheinkman works to the point of abstraction", The Pitch, January 14, 2005

Sweet, Kimberly, "Black & White", Kansas City Star, January 12, 2005

Cullum, Jerry, "Intriguing interjections in a century-long dialogue", Atlanta Journal-Constitution, May 30, 2004
Renzi, Jen, "Blue Chip", Interior Design, August, 2003
Sherman, Mary, "Open Studio Press tries new 'Line' of work", Boston Herald, January 12, 2003

McQuaide, Cate, "Meticulous Meditations on the Abstract", Boston Globe, January 3, 2003

Johnson, Ken, "Art Guide, Zenroxy", New York Times, December 20, 2002

Gonzales, Manuel and Forde, J.A., "Unframed: Artists Respond to AIDS", 2002

Johnson, Ken, "Art Guide: Mark Sheinkman", New York Times, March 23, 2001

Sauerbier, S.D. "Zeichnen-Zeichen zeigen", minimal-concept Zeichenhafte Sprachen im Raum, 2001

Landi, Ann, "Drawing Is Another Kind of Language", ARTnews, December 1999

Sheets, Hillarie, "The Syntax of Drawing, From Old and New Alike", Newsday, October 1, 1999

Amy, Michael, "Mark Sheinkman at Thomas Healy", Art in America, December 1998

Turner, Grady T., "Up Now, Mark Sheinkman", ARTnews, April, 1998

"Goings On About Town", The New Yorker, April 20, 1998

Glueck, Grace, "Art Guide, Mark Sheinkman", New York Times, March 27, 1998

Nahas, Dominique, "Mark Sheinkman", Review, March 15, 1998, Volume 3, Number 12

Ebony, David, "Mark Sheinkman at Morris Healy", Artnet, March, 1998

Zimmer, William, "Matters of Scale, and of Nostalgia Too", New York Times, March 8, 1998

Glueck, Grace, "Large Scale Drawings from the Collection of Wynn Kramarsky", New York Times, April 24, 1998

Landi, Ann, "On the Edge, Mark Sheinkman, The Eraser", ARTnews, September 1997
 Trione, Vincenzo, "Sheinkman, poetic obsession", Il Mattino, July 26, 1997

Landi, Ann, "Site Specifics", ARTnews, April 1997, p. 118

Athineos, Doris, "When Kramarsky Talks, Collectors Listen: What kind of Art Does the Man Who Sold the World's Most Expensive Painting Collect?" Forbes Magazine, November 18, 1997

Paparoni, Dimetrio, "Redefined Abstraction", Tema Celeste, Autumn 1997
Brennan, Michael, Artnet, Autumn 1996

Melrod, George, "Special Report: Contemporary Art - New York City", Art and Antiques, Summer 1996

Schmerler, Sarah, " Mark Sheinkman", Time Out New York, June 26, 1996

Shimony, Jonathan, "New York Art Scene II,"Art Vision'', Winter 1995

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