VON LINTEL GALLERY

Thursday, April 4, 2013

JOHN CHIARA @ Rose Gallery | MOPA Blog Review




By Chantel Paul

When it comes to curating exhibitions, one of my favorite experiences is working with contemporary photographers. It allows for the interaction I would never be able to have with the masters who have paved the way, like Manuel Alvarez Bravo, Harry Callahan and Ruth Bernard. Towards the end of last year, I had the pleasure of meeting some wonderful photographers for MOPA’s upcoming fall exhibition Staking Claim: A California Invitational. One of these photographers has just opened an exhibitoin of new work  at Rose Gallery in Santa Monica. His name is John Chiara and as a contemporary photographer, he’s using one of the oldest forms of
equipment to make his incredibly dreamy and powerful images, the camera obscura. And not just any camera obscura, but one large enough for him to crawl inside, cut a piece of paper off a roll, and tape it to the back wall for exposure! Don’t believe me? Watch this video from 2006 to see for yourselves how he does it. Photographs like this don’t come easy. It’s taken Chiara years to perfect his craft and the work has paid off. His work is one more reason to mark to your calendars for the opening of Staking Claim: A California Invitational on October 12th here at MOPA. Until then…enjoy!

Read original post @ MOPA

CANAN TOLON | SOMEWHERE NOW, APRIL 18 – MAY 25, 2013

Canan Tolon
Untitled 4.3, 2013
oil on canvas
24 x 24 inches

CANAN TOLON, SOMEWHERE NOW, APRIL 18 – MAY 25, 2013   

Von Lintel Gallery is pleased to announce our first solo exhibition of paintings by Canan Tolon.

Canan Tolon's paintings at first appear as purely abstract, but with time the eye discovers familiar urban landscapes in the rhythmic painted streaks. She explores the visualization of space by creating an illusion of depth and engages the viewer in the game of seeking recognizable imagery and inventing a visual narrative. The black and white pieces in particular allude to the documentary quality of photography, suggesting reality where there is only imagination. Like a distant mirage, the viewer is drawn into the work, wanting to explore the multiple layers of information. With even closer inspection, the elusive vistas dissolve back into abstract patterns revealing the painting's deception. This duality makes the imagery unstable, flickering between truth and illusion to create an ever-interesting visual feast. 

Born in Istanbul, Tolon trained as an architect and holds a Masters from the University of California at Berkeley. In addition to her paintings, she is also well known for her large-scale installation work. She has exhibited internationally since 1984, including shows at the San Francisco Museum of Modern Art, Rotterdam's Museum Boijmans Van Beuningen, the Istanbul Modern Museum, and London's Saachi Gallery. In 2012, she was named one of Art+Auction's 50 Next Most Collectible Artists. Tolon lives and works in the California Bay Area.
 

The exhibition is accompanied by an illustrated catalogue.

ROSEMARIE FIORE | Savannah Now Review

Rosemarie Fiore
“Firework Drawing #13,” 2009,
lit firework residue on paper
Courtesy of the artist and SCAD Museum of Art

Over the past decade, New York artist Rosemarie Fiore has used lawn mowers, waffle irons, pinball machines, floor polishers and even amusement park rides to create critically acclaimed paintings.
“I’ve chosen to collaborate with machines to create my work,” she says. “I use machines as mark-making tools. For me, paint just isn’t enough.”

In her latest work, Fiore harnesses the pyrotechnic power of fireworks to create series of experimental collages on paper. Her “Firework Drawing” series — on display at the SCAD Museum of Art through May 12 — illustrates her experiments with fireworks, smoke bombs and smoke canisters to create large-format abstract works. 

Fiore uses fumage, an innovative technique pioneered by Austrian Surrealist Wolfgang Paalen in the 1930s, to “paint” with smoke. The results are nothing short of explosive. By igniting commercial fireworks and harnessing the dense smoke in canisters, she blends colors, enhances textures and captures the singed residue on paper. Her preferred fireworks include color smoke bombs, jumping jacks, monster balls, rings of fire and lasers.

“My work is a battle between control and chaos,” she admits. “I can’t completely control the process because the smoke is unpredictable.”

Fiore first discovered this unconventional process in 2001 during an artistic residency in Roswell, N.M. 

“I dropped a device on the floor on the Fourth of July by accident,” she says. “It rolled and created a dotted blue line.”

She quickly realized the mark-making potential of fireworks and began experimenting with incendiary devices. Inspired by Yves Klein’s fire paintings created with blowtorches and John Cage’s use of chance to compose music, Fiore developed a technique using coffee cans, buckets and other containers to harness the pigment-rich smoke.

“When I start lighting things off, I get lost in the process,” she says. “It’s like time slows down, and I’m able to manipulate and control the process.”

“Firework Drawings” offers a selection of five large-scale collages comprised of vibrant geometric forms marked by burns, scars and singe marks. Some of the collages suggest cosmic themes, while others allude to molecular activity. 

In “Firework Drawing #13,” she layers richly colored circles to suggest the movement of planets through space. Hues ranging from pale melon and light sage to deep crimson and midnight blue evoke mutable interstellar orbs. 

By contrast, “Firework Drawing #65” embodies the explosive violence of fireworks in an image strategically sliced and reassembled, angular shards of colors defining the central axis.
Fiore drags canisters across paper to create elongated forms recalling shooting stars. These works create the illusion of depth in two dimensions through combinations of color and form.

Defined by a sophisticated manipulation of line, color and texture, her work captures the raw energy and childlike excitement of a nighttime fireworks display. The ethereal nature of the material appeals to Fiore, who continues to experiment with a wide range of unconventional materials at her studio in the Bronx.

“I’ve spent many years working with smoke,” she says. “I love the ephemeral nature of the medium. That’s what draws me to it. It’s there one second, and then it’s gone. I love capturing its presence.”

ABOUT THE ARTIST

Born in New York in 1972, Rosemarie Fiore earned a B.A. from the University of Virginia and an M.F.A. from The School of the Art Institute of Chicago. Her work has been featured in dozens of solo and group exhibitions and has earned critical acclaim.


IF YOU GO

What: “Rosemarie Fiore: Firework Drawings” 

Where: SCAD Museum of Art, 601 Turner Blvd. 

When: Through May 12; reception at 6:30 p.m. Feb. 19 as part of the 2013 deFINE ART Gallery Hop

Hours: 10 a.m. to 5 p.m. Tuesday, Wednesday and Friday; 10 a.m. to 8 p.m. Thursday; noon to 5 p.m. Saturday and Sunday 

Cost: $10 general admission, $8 senior/military; $20 family admission (3 or more); $5 SCAD alumni; free for SCAD students, faculty and staff and children younger than 14 

Info: 912-525-7191, www.scadmoa.org

Read original post @ Savannah Now 

ROSEMARIE FIORE @ SCAD Museum of Art


Rosemarie Fiore, "Firework Drawing #6,"
lit firework residue on paper, 82.5" x 66", 2009.
Courtesy of the artist.

Rosemarie Fiore
 
Firework Drawings
Jan. 8 - May 12, 2013
 
"Firework Drawings" is a selection of large-scale works on paper created using live fireworks and their pigments. Employing this distinctive medium in a performative process, Fiore strikes a balance between control and chance, the lasting and the evanescent.

This dynamic selection demonstrates a strong interplay between powdery, amorphous ground and a complex and sophisticated manipulation of line, color and collage that in turn translates the raw energy and refined excitement of a fireworks display.

Presented as part of the 2013 deFINE ART program

Reception: Tuesday, Feb. 19, 6:30-8 p.m.

The exhibition is free with SCAD Museum of Art admission.

The reception is free and open to the public as part of the deFINE ART gallery hop.

Learn more about exhibitions and events at other SCAD galleries.


ROSEMARIE FIORE | New Representation

Rosemarie Fiore Firework Drawing #74, 2011
lit firework residue on Fabriano paper
48 1/4 x 59 1/2 inches
Rosemarie Fiore is now represented by Von Lintel Gallery. We will present our first solo show of her paintings created with live fireworks in September 2013. Fiore's work is currently on view at the SCAD Museum of Art in Savannah as part of an exhibition that will travel to Atlanta and Hong Kong.

DANA MELAMED | Duality of Matter — Video


Saturday, March 30, 2013

JOHN CHIARA featured on LENSCRATCH

 
 
Read original post @ LENSCRATCH
 
John Chiara is opening an exhibition, John Chiara: Los Angeles, at the well regarded Rose Gallery in Los Angeles from March 23rd through May 11, 2013 featuring unique Ilfochrome prints. A San Francisco-based artist, John pushes the boundaries of the photographic medium through his choice of process and the mastery of its possibilities. His  giant cameras, which he designed and built himself, are transported to locations on a flatbed trailer to produce one-of-a-kind large-scale prints. 
 
 
The design of the cameras, which is much like daguerreotype box cameras, allows the artist to simultaneously shoot and perform his darkroom work while images are recorded directly onto oversized photosensitive paper (not film). This process, which John first discovered as a student in 1999, invites anomalies in his final prints and adds to the mystery and lyricism of his photographs.
 
John received a B.F.A. in photography from the University of Utah in Salt Lake City and an M.F.A. in photography from the California College of the arts in 2004.  In 2011 the Pilara Foundation commissioned the artist’s Bridge Project for their permanent collection and it was included in the exhibition “HERE” at Pier 24 Photography.  He has been included in group and solo exhibitions nationally and abroad.  

John's latest series of photographs is focused entirely on the city of Los Angeles.  Though L.A. is one of the most photographed cities on the globe  - a city built on image -  and John’s depictions of it are unexpected.  His Los Angeles is neither idyllic nor sprawling urban hell.  It is not a "city of glamour nor the spectacle of exploitation that it is often deemed to be".  His interest lies with the psychological underpinnings of the city’s development and the subtle ways these are revealed in the shifting landscape. 

All Images courtesy, the artist, Thomas Von Lintel Gallery, New York and ROSEGALLERY, Santa Monica