CANAN TOLON | BIO

CANAN TOLON


Born in Istanbul, Turkey
Lives and works in Emeryville, CA


EDUCATION

1983    MA Architecture, University of California at Berkeley, CA
1980    BA, Middlesex University/Architectural Association, London, UK
1979    Fachhochschule, Trier, Germany
1976    Napier University, Department of Design, Edinburgh, Scotland
1975    Baccalauréat, Philosophie-Lettres, Ecole Française d'Istanbul, Istanbul, Turkey


SOLO EXHIBITIONS

2013    Somewhere Now, Von Lintel Gallery, New York, NY

2012    Time After Time, Institute for the Humanities, University of Michigan,
    Ann Arbor, MI
    Then, and then, Gallery Paule Anglim, San Francisco, CA

2011    Reflex, Galeri Nev, Istanbul, Turkey

2010    Fugue, Galeri Nev, Ankara, Turkey

2009    Break-in, Artists Gallery, San Francisco Museum of Modern Art, CA

2008    Glitch, Galeri Nev, Istanbul, Turkey
    Glitch, Gallery Paule Anglim, San Francisco, CA

2005    Everything is Honky Dory, Galeri Nev, Ankara, Turkey
    Everything is Honky Dory, Galeri Nev, Istanbul, Turkey

2004    Blind Trust, Galeri Nev, Istanbul, Turkey
    Blind Trust, Galeri Nev, Ankara, Turkey

2003    Gallery Paule Anglim, San Francisco, CA
    Galeri Nev, Ankara, Turkey
    Galeri Nev, Istanbul, Turkey
    Angle of Repose, Mills Museum of Art, Oakland, CA

2001    Galeri Nev, Istanbul, Turkey
    Galeri Nev, Ankara, Turkey

2000    Cité Internationale des Arts, Paris, France
    Nothing to Declare, Borusan Gallery, Istanbul, Turkey

1999    Galeri Nev, Ankara, Turkey

1998    Kaza Eseri, Galeri Nev, Istanbul, Turkey

1997    Gallery Paule Anglim, San Francisco, CA
Galeri Nev, Ankara, Turkey

1996    Galeri Nev, Istanbul, Turkey

1993    Galeri Nev, Ankara, Turkey
    Still Lifes, Center for Contemporary Art, Santa Fe, NM
    Galeri Nev, Istanbul, Turkey

1992    Garden of the Zodiac Gallery, Omaha, NE
    Introduction, Harcourts Modern and Contemporary Art Gallery,
San Francisco, CA

1991    Galeri Nev, Ankara, Turkey
    Pro-Arts Gallery, Oakland, CA
    Bemis Gallery, Bemis Foundation, Omaha, NE
    Galeri Nev, Istanbul, Turkey
Still Lifes, Maçka Art Gallery, Istanbul, Turkey

1990    University of California at Berkeley, CA

1984    University of California at Berkeley, CA



GROUP EXHIBITIONS

2013    Past and Future, Istanbul Modern Museum, Turkey

2012    The 1st Kiev Biennale, Curator David Elliott, Kiev, Ukraine
Istanbul Modern-Rotterdam, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands

2011    Zwölf im Zwölften, Tanas, Berlin, Germany
    Suretin Sireti / Beyond the Apparent, Pera Museum, Istanbul, Turkey
Hayal ve Hakikat / Dream and Reality, Istanbul Modern Museum, Turkey
Driven to Abstraction, Von Lintel Gallery, New York, NY
    Confessions of Dangerous Minds, The Saachi Gallery, London, England

2010    Ikinci Sergi / Second Exhibition, Arter, Istanbul, Turkey
+infinity, Curator Deniz Artun, Cer Modern, Ankara, Turkey
A Dream… But Not Yours, Curator Esra Sarıgedik, National Museum of Woman in the Arts, Washington, DC

2009    Istanbul Next Wave, Martin Gropius Bau, Berlin, Germany
    New Works, New Horizons, Istanbul Museum of Modern Art, Turkey

2008    In and Out of Istanbul, Slought Foundation, Philadelphia, PA
Bay Area Now 5, Yerba Buena Center for the Arts, San Francisco, CA
Modern Experiences, Istanbul Modern, Istanbul Museum of Modern Art, Turkey

2007    J.P. Morgan Chase Collection, Pera Museum, Istanbul, Turkey
    Istanbul Now, Lukas Feichtner Gallery, Vienna, Austria
    21st Annual Exhibition, Emeryville, CA
Modern and Beyond, Curator Fulya Erdemci, SantralIstanbul, Istanbul, Turkey
    Nev/Tepebaşı, Galeri Nev, Istanbul, Turkey

2005    Çini Için, İznik Tiles Foundation, Hagia Sofia, Istanbul, Turkey
    Contaging Natur, Aksanat, Istanbul, Turkey
2nd Pedestrian Exhibition, Curators Fulya Erdemci and Emre Baykal, Karaköy, Istanbul, Turkey
Galeri Nev, Istanbul, Turkey

2004    Observation, Interpretation, Multiplicity, Istanbul Museum of Modern Art, Turkey

2003    Turkey-Plastic Dialogues: Verheugen Selection, City Hall, Brussels, Belgium
The Blue Room, San Francisco, CA
Galeri Nev, Istanbul, Turkey
Organized Conflict, Proje4L Museum of Contemporary Art, Istanbul, Turkey
    U.N. Art Center, Brussels, Belgium

2002     Rundetårn Art Center, Copenhagen, Denmark
    Permanent Collection, Istanbul Museum of Modern Art, Turkey
1st Pedestrian Exhibition, Curator Fulya Erdemci, Nişantaşı, Istanbul, Turkey

2001    Topkapı Museum, Istanbul, Turkey

2000    Space Time, Galeri Nev, Ankara, Turkey
Space Time, Galeri Nev Istanbul, Turkey

1999    Cover Contour, Galeri Nev, Istanbul, Turkey
    Cover Contour, Galeri Nev, Ankara, Turkey
    Re-Generation, University of California Art Gallery, San Diego, CA
    Crossing Zones, De Paul University Art Gallery, Chicago, IL
    Lack Excess, Galerie Nev, Ankara, Turkey
Lack Excess, Galerie Nev, Istanbul, Turkey

1998    San Jose Museum of Art, San Jose, CA
    Bolinas Museum of Art, Bolinas, CA

1997    Drawing First, Southern Exposure, San Francisco, CA

1995    Long Horizons, Falkirk Cultural Center, San Rafael, CA
    Nexus Gallery, Berkeley, CA
    I am Another, Charlottenborg Center for Arts, Copenhagen, Denmark

1994    Forms of Address, Walter/McBean Gallery, San Francisco Art Institute, CA
Nexus Institute Gallery, Berkeley, CA
    Zyzzyva, Victoria Room, San Francisco, CA
    Coming Across, Euphrat Museum-DeAnza College, Cupertino, CA

1993    Topkapı Museum, Istanbul, Turkey
    Southern Exposure, San Francisco, CA

1992    3rd International Istanbul Biennial, Istanbul, Turkey
    Sanart ’92, Ankara, Turkey
    Montgomery Gallery, San Francisco, CA
    Bemis Gallery, Bemis Foundation, Omaha, NE
    Garden of the Zodiac Gallery, Omaha, NE
    San Jose Institute of Contemporary Art, San Jose, CA
    Alsace Plurielle, Mulhouse, France

1991    Off the Wall, Sheldon Memorial Art Gallery, Lincoln, NE

1990    Richmond Art Center, Richmond, CA
    Bemis Gallery, Bemis Foundation, Omaha, NE

1989    Gallery Vienna, Chicago, IL
    Nerlino Gallery, New York, NY
    American Institute of Architects, San Francisco, CA

1988     Viridian Gallery, New York, NY

1987    California College of Arts and Crafts, San Francisco, CA


RESIDENCIES AND AWARDS

2012    The Kidder Residency in the Arts, Institute for the Humanities, Ann Arbor, MI
2007    Emeryville Public Arts Award, Emeryville, CA
2000    Cité Internationale des Arts, Paris, France
1999    Center for Mediterranean Studies, Georgetown University, Washington, DC
1998    Arts Council of Wales, Wales, UK
Berllanderri Sculpture Workshop, Wales, UK
1997    Gamblin Fellowship
Artist in Residence, Vermont Studio Center, St. Johnson, VT
1996    Artist in Residence, The Camargo Foundation, Cassis, France
1995    Artist in Residence, The MacDowell Colony, Peterborough, NH
1994    Western States Arts Federation (WESTAF)/NEA
1992    Artist in Residence, Bemis Foundation, Omaha, NE
1991    Artist in Residence, Bemis Foundation, Omaha, NE
1989    San Francisco Focus Design Award, San Francisco, CA


BIBLIOGRAPHY
2011    Baliç, Ilkay. Ikinci Sergi / Second Exhibition 2/2. Istanbul: Arter, 2011: 136-59.
Dostoglu, Haldun. Canan Tolon. Istanbul: Galeri Nev, 2011.
    Block, René. At Home, Whenever. Berlin: YKY, 2011: 152-67.
    Eşkinat, Esin. Hayal ve Hqakikat / Dream and Reality. Istanbul: Istanbul Modern Art Museum, 2011: 80, 156-7, 232.
    Türker, Yıldırım. “Canan Tolon.” Radikal (February 12, 2011): 17.

2010    Sarıgedik Oktem, Esra. A Dream... But Not Yours: Contemporary Art from Turkey. Washington, DC: National Museum of Women in the Arts, 2010: 60-3.
    Baykal, Emre. Ikinci Sergi / Second Exhibition 1/2. Istanbul: Arter, 2010: 164-74.
    Amirsadeghi, Hossein. Unleashed: Contemporary Art from Turkey.  London: Thames and Hudson, 2010: 28-9, 43, 290-3.
    Artun, Deniz. Resme Bakan Yazılar. Ankara: Galeri Nev, Volume II, 2010: 56-78.
    Ingersoll, Richard. “Back to the Farm.” Modern Painters (May 2010): 57-60.
Artun, Deniz. +sonsuz, ebru özdemir koleksiyonu’ndan bir seçki. Ankara: Cer Modern Museum, 2010: 184-5, 187.
Ingersoll, Richard. “Back to the Farm.” Modern Painters (May 2010): 57-60.

2009    Baker, Kenneth. “Three Artists at Fort Mason.” San Francisco Chronicle (July 4, 2009): E3.
    Tut, Barış. Yeni Yapıtlar, Yeni Ufuklar. Istanbul: Istanbul Modern Art Museum, 2009: 190-1.
    Tobben, Irene. Istanbul Next Wave, Zeitgenössische Kunst aus Istanbul. Göttingen, Germany: Steidl Publishing, 2009: 71.
    Artists. Istanbul: Galeri Nev, 2009: 5-8.

2008    Foster, Kenneth. Bay Area Now 5. San Francisco: Yerba Buena Center for the Arts, 2008: 94-5.
    Akar , Serra. “Oksijen ve Terapi.” InStyle Home (December 2008): 191.
    Bay, Yasemin. “Katmanların Arasında.” Milliyet (October 27, 2008): 17.
    Çalıkoğlu, Levent. “Görme Kültürümüzle Hesaplaşmak.” Milliyet Sanat (October 2008): 24-5.
    İnceoğlu, Deniz. “Aşırı Enformasyon Bombardımanı Yüzünden Hepimiz Tökezliyoruz.” Hürriyet Cumartesi Keyif (October 18, 2008): 8.
İnceoğlu, Deniz. “Nişantaşı eğlence diyarı oldu dediler, Beyoğlu’na taşındılar.” Hürriyet (May 17, 2008): 25.

2007    Erdemci, Fulya. Germaner, Semra and Koçak, Orhan. Modern ve Ötesi: 1950-2000 / Modern and Beyond: 1950-2000. Istanbul: Santralistanbul Bilgi Üniversitesi Yayınları, 2007: 428-33 (softcover); 404-9 (hardcover).
    Batıbeki, Kezban Arca. “Barok Şehirde Çağdaş Sanat Turu.” Radikal (September 29, 2007): 6-7.
    “City Hall Celebrates New Works of Art with Public Reception.” Emeryville Connection (December 2007).
    Feichtner, Lukas. Istanbul Now. Vienna: Lukas Feichtner Galerie, 2007: 108-11, 243-49.
    “Sanatta en iyilerin gösterisi.” Radikal (October 27, 2007): 23.

2006    Tolon, Canan. “Gezdirdiğimiz Yerler.” Doxa (January 2006): 46-51.
    Ileri, Cem. Kesişen Zamanlar / Intersecting Times. Istanbul: Istanbul Modern Art Museum, 2006: 78-9.

2005    Tolon, Canan. Tıkırında Herşey. Ankara: Galeri Nev, 2005.
    Erdemci, Fulya and Emre Baykal, curators. Istanbul Pedestrian Exhibitions 2: Tünel-Karaköy. Istanbul: Kolektif Productions, 2005: 17.
    Ada, Serhan. “Sanat Kente Bulaştı.” Radikal (October 8, 2005): 25.
Akay, Ali and Levent Çalıkoğlu. Contaging with Natur. Istanbul: Akbank Culture and Art Center, February 2005: 54-6.
Akyol, Cahit. “Penceredeki Salıncaklar.” Hürriyet (September 23, 2005): 3.  
Antmen, Ahu. “Konsept müthis ama serge ‘yaya.” Radikal (September 29, 2005): 22.
Aydoğan, Bilge. “Bir Küratörün Sesi Var.” Rh+Sanat (March 2005): 22-3.
Çandar, Cengiz. “Mimari Kurtuluş Savaşi.” Tercüman (July 6, 2005): 11.
Çintay, Nur. “Aksini Değistir!” Radikal (October 17, 2005): 2.
Şener, Dilek. “Hacettepe Sanat Müzesi ve Bir Koleksiyonun Değerlendirilmesi…” Rh+ Sanat (October 2005): 67-9.
Yazıcı, Müde. “Eski mekâna yeni çiniler.” Radikal (July 6, 2005): 21.
Yüksel, Sevgi. “Sanatsever Türkiye/ Tıkırıinda Herşey.” Radikal (October 8, 2005): 4.
Tolon, Canan. Tıkırında Herşey. Ankara: Galeri Nev, 2005.
Onat, Aslı. “İçindeki Sızıyı Aktaran Ressam.” Milliyet (October 7, 2005): 27.
Sayın, Nevzat. ÇİNİ-İÇİN/ For Titles: Infinite Iteration as a Problem of Surface. Istanbul: Hagia Sophia Museum, 2005.

2004    Tolon, Canan. Geçmişsiz Gelecek. Istanbul: Norgunk/Galeri Nev, 2004.
    Gürel, Haşim Nur, ed. Gözlem/Yorum/Çeşitilik/ Observation/Interpretation/Multiplicity. Istanbul: Istanbul Museum of Modern Art, 2004: 108.
    Klowden, Deb and Lerner, Ben. NO: A journal of the arts, issue 3 (2004): 33-40, 173-80.
    Ada, Serhan. “Gri Yolculuk.” Radikal (March 6, 2004): 17.
    Armutçu, Emel. “Çarpıcı Bir Hayattan Çarpıcı Resimler.” Hürriyet (February 29, 2004): 15.
Dwell (January/ February 2004): 32
Elvan, Nihal. Collector’s Favorites: Living Painters. Istanbul: Yapı Kredi Yayıncılık, 2004: 63.
Kafaoğlu- Büke, Asuman. “Geçmissiz Gelecek.” Cumhuriyet Kitap (March 18, 2004): 3.

2003    Erdemci, Fulya. Organize Ihtilaf / Organized Conflict. Istanbul: Proje4L, Istanbul Museum of Contemporary Art, September 2003: 164-71.
    Baker, Kenneth. “Tolon’s Complex Layers.” San Francisco Chronicle (December 20, 2003):  D12.
    Sardar, Zahid. “Sitting on the Edge.” San Francisco Chronicle (October 22, 2003): F1, F6.
     Verheugen, Gunter. Contemporary Painting and Sculpture from Turkey. Brussels: Cabinet of the Commissioner, 2003: 28-9.
    Altuğ, Evrim. “Kaos Düzen midir?” Radikal (December 13, 2003): 20.
    Çağdaş, Hami. “Resim mümkün’ diyenlerin sergisi Organize İhtilaf.” Hürriyet Gösteri (November 1, 2003): 44-7.
    Erdemci, Fulya. Organized Conflict. Istanbul: Proje4L, Istanbul Museum of Contemporary Art, September 2003: 164-71.
    Mortati, Maria and Mark Waldo. Bay Area. San Francisco: The Blue Room Gallery, 2003: 12.
“Resmin yeri neresi?” Radikal (September 27, 2003): 4.

2002    Erdemci, Fulya, curator. Istanbul Yaya Sergileri 1: Kişisel Cografyalar Küresel Haritalar / Istanbul Pedestrian Exhibitions 1: Personal Geographies, Global Maps. Istanbul: Kolektif Productions, 2002: 225-30.
Akay Ali, Levent Çalıkoğlu and Haşim Nur Gürel. 60 Years 60 Artists. Istanbul: Eczacıbaşı Virtual Museum, 2002: 142-43.
Altuğ, Evrim. “Dikkat Sanat Eseri Çıkabilir!” Radikal (September 30, 2002): 23.
Altuğ, Evrim. “Ebedi Yıkımın Tanıklığı.” Radikal (January 4, 2002): 18.
Antmen, Ahu. “Canan Tolon Sergisi.” Sanat Yıllığı (January 2002): 54-5.
Christensen – Ernst, Bente. Istanbul: An International Reflection. Copenhagen: Rundetarn Gallery, 2002: 76-9.
Şener, Dilek. “Sanal Dünyanın İmge Avcısı.” Milliyet Sanat (January 2002): 64-5.
Ünalın, Nevin. “Resim İçin Risk Gerek.” Cumhuriyet Dergi (January 13, 2002): 8.
“Sanat Yürüyor!” Vizyon (October 2002): 97.

2000    Madra, Beral. Istanbul Gidiş-Dönüş III / Roundtrip Istanbul III. Istanbul: Borusan Culture and Art Center, 2000: 26-35.
    Cabra, Raul and Dung Ngo. American Furniture. New York: Universe Publishing/ Rizzoli, 2000: 156, 158-59.
    Zoto, Bike Erke. “Canan Tolon: Ölü doğanın ötesinde.” Millyet (October 14, 2000): 10.

1999    Tolon, Canan. Futur Imparfait. Paris: P.A.U. Editions, 1999.
    Artun, Ali and Haldun Dostoğlu. Türkiey’de Çağdaş Sanat, Müze Kitap. Istanbul: Galeri Nev, 1999: 436-81.
    Aydoğdu, Fatih. “Asmalımescid’de ‘farklı’ bir serge mekâni ve farklıi serge…” Vizyon (October 1999): 110.
    Gümüş, Korhan. “Ruh ve Beden İçin Çğaltmalar.” Domus M’ (December 1999): 26.
    Madra, Beral. Multiples for Body and Soul. Istanbul: Borusan Culture and Art Center, 1999: 37.

1998    Lewallen, Constance. Limbo – An Interview with Canan Tolon. Istanbul: Galeri Nev, 1998.
    Aliçavuşoğlu, Esra. “Rsim Yapmak Sorumluluktur.” Cumhuriyet (October 17, 1998): 21.
    Lewallen, Constance. Limbo – An Interview with Canan Tolon. Istanbul: Galeri Nev, 1998.
    Öktülmüş, Buket. “Tolon’un Kaza Eserleri.” Radikal (October 11, 1998): 20.

1997    Filğu. Lale. “Canan Tolon’un Pas ve Kahve Telvesiyle Yarattiği Resimleri İstanbul ve Ankara’da.” Vizyon (January 1997): 86-7.
    Köksal, Ahmet. “Doğal izlenimlerden doğal yorumlara.” Milliyet Sanat (January 15, 1997): 42-3.
1996    Junker, Howard. Zyzzyva (Spring 1996): 47-54.

1995    Artun, Ali. I Am Another: 11 Tyrkiske Kunstnere. Copenhagen: Charlottenborg Center for the Arts, 1995: 34-6.
    Akyavaş, Erol. “Canan Tolon benim için Türk resminin en taze seslerinden…” Vizyon (November 1995): 159.
    Bruce, Chris. Architecture in Perspective 10. Rockport, Massachusetts: Rockport Publishers, 1995: 71.
    Rapko, John. “An End to Nature: ‘Long Horizons at Falkirk Cultural Center.” ArtWeek (June 1995): 17-8.

1994    Bruce, Chris and Shields, Kathleen. Withinsight: Visual Territories of Thirty Artists. Santa Fe: Western States Arts Federation/NEA Publications, 1994: 85.
    Weiffenbach, Jean-Edith. Forms of Address. San Francisco Art Institute, 1994: 24, 25-6.
    Tromble, Meredith. “A Conversation with Canan Tolon.” Artweek (November 3 1994): 11.
    Alptekin, Hüseyin Bahri. “Ölü Doğa/ Anti- Manzara.” Arredamento Dekorasyon (January 1994): 156-57.
    Artun, Ali and Selde Somuncuoğlu. 1995-2000 Central Bank Collection of Turkish Modern Art.  Ankara: Central Bank of the Republic of Turkey, 1994: 257-59.
    Barbosa, Jeff. “Immigration Influences Artists’ Work.”  Cupertino Courier (March 9, 1994): 2.
Beylerian, George M. Chairmania. New York: Harry N. Abrams, 1994: 112.
Tuchman, Laura J. “A World Without Borders.” Mercury News (March 20, 1994): 3, 28.
    Tolon, Canan. “Immigrant Art, Commentary.” San Jose Mercury News (March 13, 1994): 17.   
    Tanner, Marcia. “Five Artists in Search of an Exhibition.” Artweek (November 3, 1994): 10-11.
    Jacotot, Pascale. “Portfolio des Artistes: Distances.” Pages Paysages (June 1994): 42.
    Junker, Howard. Zyzzyva (Fall 1994): 129.
    Leal, Carolyn. “Coming Across: Euphrat Shows Works by Recent Immigrants.” The Neighbor (March 9, 1994): 10.
    Rindfleisch, Jan. Coming Across. Cupertino, California: Euphrat Museum of Art, 1994: 64-65.

1993    Melkonian, Neery. An Interview with Canan Tolon. Santa Fe: The Center for Contemporary Arts, 1993.
    Balsamo, Dean. “Canan Tolon’s Still Lifes.” Pasatiempo (April 30, 1993).
    Balsamo, Dean. “It wasn’t Exactly the Art Biz as Usual in ‘93.” Pasatiempo (December 1993).
    Melkonian, Neery. “Istanbul: The Third International Art Biennial.” THE Magazine (January/February 1993): 17-9.
    Armitage, Diane. “Critical Reflections: Canan Tolon.” THE Magazine (May 1993): 40.
    Atagök, Tomur. Contemporary Women Artists. Istanbul: Istanbul Ministry of Culture, 1993: 21, 75.
    Collins, Tom. “Tolon’s ‘Still Lifes’: Un- poetic Fragments of Ongoing Decay.” Journal North (April 29, 1993): 4.
    Günyaz, Abdülkadir. “Bienal Dedikleri.” Türkiye’de Sanat (January- February, 1993): 40-1.
    Tansuğ, Sezer. “Sahte Avangardın Avlanma Süreci.” Türkiye’de Sanat (May- August 1993): 28-33.
    Hekimoğlu, Müşerref. “Ankente Bir Kadın Başkan Yakışmaz mı.” Cumhurriyet Dergi (December 1993): 8.
     “imajlarla Kuşatılmış Bir Yaşam.” Cumhuriyet (December 2, 1993): 3.
    Madra, Beral. “Kültürel konumumuz ve İstanbul Bienali.” Hürriyet Gösteri (March 1993): 106-9.
    Melkonian, Neery. “Istanbul: The Third International Art Biennial.” THE Magazine (January/ February 1993): 17-9.
Silverman, Jason. “Artist has a New Twist on Painting by the Numbers.” Pasatiempo (April 16, 1993): 4.

1992    Sherman, Ann Elliott. “Materials Reborn at SJICA.” Metro (April 16 1992): 45.
Deeds, Daphne. Seven Artists [Who Happen To Be Women]. Omaha: Bemis Foundation, 1992: 9.
    Kortun, Vasıf.  3. Uluslararası Istanbul Bienali / 3rd International Istanbul Biennial. Istanbul Foundation for Culture and Arts, 1992: 218.
Levin, Kim. “Significant Others in Istanbul.” The Village Voice (December 1, 1992): 54.
    Macmillan, Kyle. “An Adventure in 3-D.” Omaha World-Herald (July 17, 1992): 33, 37.
    Alptekin, Hüseyin Bahri. “Ölü Doğa/ Anti- Manzara.” Arredamento Dekorasyon (November 1992): 142.
    Celbulski, Frank. “SFDA Introductions ’92: Canan Tolon.” Artweek (August 6, 1992): 22.
    Huddleton, Joanne. “Introductions ’92.” The Arts Monthly (July 1992): 2.
Levin, Kim. “Significant Others in Istanbul.” The Village Voice (December 1, 1992): 54.
Köksal, Ahmet. “Bienal’den İzlenimler.” Milliyet (October 26, 1992): 16.
Macmillan, Kyle. “An Adventure in 3-D.”Omaha World-Herald (July 17, 1992): 33,37.
Madra, Beral. “Fark Göremiyorum Ya Siz?” Cumhuriyet (November 29, 1992): 11.

1991    Behramoğlu, Ludmila. “Hep Görülenri Görünür Kılmak.” Cumhuriyet (March 14, 1991): 7.
    Elkatip, Demet. “Çöplükte Güzel Şeyler Var.” Günes (March 14, 1991): 11.
    Tansuğ, Sezer. “Canan Tolon ve İki Sergisi.” Topaz (March 15, 1991): 48.

1989    Kollenbaum, Louise. “The San Francisco Focus Design Awards.” San Francisco Focus (July 1989): 42-3.

1988    Çetinkaya, Ali. “Göz kamaştıran serge.” Hürriyet (December 10, 1988): 5.  

DANA MELAMED | Biography

Dana Melamed Biography

Born in Israel, 1972

Lives in New Jersey, works in New York



Dana Melamed Solo Exhibitions


2013

Duality of Matter, Von Lintel Gallery, New York, NY


2012

Durst Organization, Conde Nast Building, New York, NY


2011

Transforming Voids, Lesley Heller Workspace, New York, NY


2010

Black Tide, Priska C. Juschka Fine Art, New York, NY


2008

Rhetoric of Violence and Trauma, Durst Organization, New York, NY


2007

Into the Vortex, Priska C. Juschka Fine Art, New York, NY


2006

When Dawn Breaks, Priska C. Juschka Fine Art, New York, NY




Dana Melamed Selected Group Exhibitions


2012

Suspended Disbelief, Von Lintel Gallery, New York, NY


2010

Fire Works, curated by Mary Birmingham, Hunterdon Art Museum, Clinton, NJ
One Thousand and One Nights: the narrative tradition in contemporary Middle Eastern art, curated by Nancy Einreinhofer, William Paterson University, University Art Galleries, Wayne, NJ
Skeptical Landscapes, Herter Gallery, University of Massachusetts, Amherst, MA


2009

Sustainable?, Chen Gallery, Central Connecticut State University, New Britain, CT


2008

183rd Annual Exhibition of Contemporary Art, National Academy Museum, New York, NY
Remarks on Color, Galerie Baer, Dresden, Germany

Future Tense: Contemporary Views/Post-Utopian Landscape, Neuberger Museum of Art, Westchester, NY

Lost Horizon, curated by David Gibson, Herter Gallery, University of Massachusetts, Amherst, MA


2006

Go North, New Yorker!, Peekskill Project 2006, Hudson Valley Center for Contemporary Art, Peekskill, NY

Frames Of Mind, The Bernnan Gallery at the Justice William Bernnan Court House, Jersey City, NJ


2005

New Found Land: An Inaugural Group Show, Priska C. Juschka Fine Art, New York, NY

Small Matters of Great Importance, Edward Hopper House, Nyack, NY

The Reasonably Straight Digital Photography Show, Old Church Art Center, Demarest, NJ

Cooper Union Residency Cooper Union, New York, NY



Dana Melamed Bibliography


2010

Shuster, Robert. "Fall Guide: Ingrid Calame Finds Beauty in the Grime." Village Voice,
September 1, 2010.


2008

Genocchio, Benjamin. "Today's Landscapes, Tomorrow's Dystopia," The New York Times, June 1, 2008.

Rosenberg, Karen. "Where Have All the Paintings Gone? To the National Academy," The New York Times, May 30, 2008.

Neil, Jonathan T. D. "Special Focus: Reviews Marathon." Art Review, no. 19, February 2008, 82.


2007

Wright, Jeffrey. "The Perennial Allure of Allegorical Black and White." Chelsea Now, vol. 2, no. 8, 2007.


2006

Chambers, Christopher. "July & August Picks." NY Arts Magazine, July 2006.

Baker, R.C. "Dana Melamed," The Village Voice, February 2006.

Melamed Solo Exhibit is slated for New York City," Northern Valley Suburbanite, February 2006.

"Dana Arises," Yedioth Aharonoth, February 2006.



Dana Melamed Public Collections


Frenkel Foundation for the arts, MI



Dana Melamed Residencies


2005

Cooper Union, International Emerging Artists Residence, New York, NY



Dana Melamed Education

1995

Tel Aviv Art Design Center and Tel Aviv School of Visual Art (Vital) – Fine Art


1990

Architectural Rendering and Drafting, concentration on Art and Architecture History, Ort Technicum, Givatayim, Israel

 

JOSEPH STASHKEVETCH | Biography

 

JOSEPH STASHKEVETCH

1958    Born in New Jersey

1980    Rhode Island School of Design, Providence, Rhode Island

SOLO EXHIBITIONS

2013    The More Things Change, Von Lintel Gallery, New York

2010    Chimera, Baldwin Gallery, Aspen

2009    Hudson Sketches, Von Lintel Gallery, New York

2007    Kampuchea, Galerie Michael Schultz, Berlin

            New Drawings; Baldwin Gallery, Aspen

2005    Plenty, Von Lintel Gallery, New York

American Muscle and Failed Hybrids, Galerie Michael Schultz, Berlin

2003    Quincunx, Von Lintel Gallery, New York

            Baldwin Gallery, Aspen, Colorado

2001    New Drawings; Clouds and Bridges, Glenn Horowitz, New York

2000    New Drawings; Clouds, Baldwin Gallery, Aspen

1999    Recent Drawings, Inman Gallery, Houston

Recent Drawings, Paul Morris Gallery, New York

1998    New Works, Turner Runyon Gallery, Dallas

Road Work, John Berggruen Gallery, San Francisco

1997    Passage, Morris-Healy Gallery, New York

1995    Morris-Healy Gallery, New York

SELECTED GROUP EXHIBITIONS

2012    Suspended Disbelief, Von Lintel Gallery, New York

2011    Summer Group Show, Von Lintel Gallery, New York

2010    The Pencil of Nature, Julie Saul Gallery, New York

2007    Dangerous Beauty, Chelsea Art Museum, New York

2006    Joseph Stashkevetch: New Drawings, Marilyn Minter: Photographs, Baldwin Gallery, Aspen,

CO

2005    Drawing on Nature, Klemm Gallery, Siena Heights University, Adrian, MI

2004    Supersized: Drawn to Completeness, Meadow Brook Art Gallery, Oakland University, Rochester, MI

Art on Paper, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC

In Passing, Inman Gallery, Houston  

2004    Structures: Architecture in American Art, 1900-1997, John Berggruen Gallery, San   Francisco

An Exhibition of Drawings, Joseph Stashkevetch, Dark Passages, Megan

Fox Gallery, Santa Fe

            A Show of Hands, George Adams Gallery, New York

Brooklyn, New York, USA Bonni Benrubi Gallery, New York

2001    International Print Center, Spring/Summer Show, New York

2000    International Print Center, NY Fall/Winter Show, White Columns, New York

1999    The Great Drawing Show, Kohn Turner Gallery, Los Angeles          

Works on Paper, Rebecca Ibel Gallery, Columbus

1998    Pollution, Gian Ferrari Arte Contemporea, Milan

Bathroom, Thomas Healy Gallery, New York

Vaknin & Schwartz: Two Thumbs Up, Vaknin Schwartz Gallery, Atlanta 

1995    Inaugural Exhibition, Paul Morris Gallery, New York

1994    Media to Metaphor: Art about AIDS, Grey Art Gallery, New York

Monnai de Paris, Quai de Conte, Paris

Gallery Arte et Patrimoine, Paris

1986    Park II Exhibit: Cooper-Hewitt Museum, New York

 

 

SELECTED BIBLIOGRAPHY

2011    Eigen Huis Interieur, no. 4, November, ill.

            Phillips, Ian, 60m², Architectural Digest China, September, p. 167-168, ill.

            Architectural Digest Germany, September, ill.

            IDentity Magazine Dubai, September, ill.

            Hong Kong HOME Journal, July, p. 4-5, ill.

            Goodman, Wendy, Extreme Décor, New York, May 9, p. 72-73, ill.

            Phillips, Ian, Knalizart, Architectural Digest Germany, May, p. 177, 200, ill.

2010    Decker, Elisa, Review: Joseph Stashkevetch, Von Lintel Gallery, Art in America, January, p. 116, ill.

Reed, Julia. Perfectly Suited: Inside Ralph Lauren’s Ultrachic Manhattan Home, Elle Décor, October, p. 208, ill.

            Park Avenue Duplex, New York Spaces, September, p. 81, ill.

2009    Book: Rockman, Deborah, Drawing Essentials: A Guide to Drawing from Observation, published by Oxford University press, cover, preface and p. 69, ill.

2006    Oksenhom, Stewart, Top Drawer: Joseph Stashkevetch, Aspen Times Weekly, December 30, p. 35

2005    Haber, Nick, Abstract Gallery-Going, Fall 2005: Jules, Olitski, Neil Welliver, and After, Channeling Abstraction: John Haber in New York City, http://haberarts.com/action05.htm

Camellia: Joseph Stashkevetch, City Magazine, December, p. 160-161, ill.

            Joseph Stashkevetch, The New Yorker, November 14

Joseph Stashkevetch, The Village Voice, NYC Guide: Art, November

Roesler, Cate, Nature and art go hand in hand, The Daily Telegram, November 11, p. A5

            Schönheit, Fliehnde, Joseph Stashkevetchs mibratene Blumen, DIE WELT.de, Saturday,             January 29, p. 23

2004      Sousanis, Nick, Super Sized, Drawn to Completeness, The Detroiter, December 10

Bolleber, Luise, Talent Covers Walls, The Oakland Post, December 1, p. B3

            Stafford, Nicole, Size Matters, Exhibit Speaks to the Power of Drawing, Filter, November 18

            Carducci, Vince, Plus-sized Art, Larger than life-sized drawings at Meadow Brook,  Metrotimes, November 17-23, p. 33

del Valle, Robert, Stage and Canvas (much, much better than reality TV), Real Detroit Weekly, November 10-16, p. 10

Bulka, Douglas, Supersized, Drawn to Completeness, Meadow Brook Art Gallery, Oakland University, catalogue p. 42-47, ill.

Reedings, Harper’s Magazine, March, p. 20, ill.

Estersohn, Pieter, Acquired Taste, Elle Décor, March, p. 122

Colman, David, Craig’s List, Elle Décor, no. 104, Dec/Jan, p. 134-139

2003    Phillips, Ian, Orient Obsessed, Elle Décor, no. 102, October, p. 204-209

Thornburg, Barbara. Track Star, Los Angeles Times Magazine, September 28, p. 54-59

Preskill, Adam. Joseph Stashkevetch, Baldwin, Aspen, ARTnews, vol. 102, no. 6, June

Preskill, Adam. The Illusion of Art, Aspen Daily News, Thursday, January 30

2002    Feist, Silvia, Ganzvolle Leistung, VOGUE Deutsch, March, p. 296-301

2001    Owens, Mitchell, Gold Standard, Elle Decor, October, p. 252

Thomas, Kelly Devine, Living with Art, Mary McFadden’s Odyssey, ARTnews, vol. 100, no. 10, November, p. 120-122

2000    Working Proof, Joseph Stashkevetch, Art on Paper, vol. 4, no. 6, July–August, p. 55

1999    Lewis, Julia. Wall to Wall, INTERIOR DESIGN, vol. 70, no. 10, August, p. 154-159

            Ashton, Dore, Grand Illusion, INTERIORS, March, p. 97-98

1998    Weinstein, Joel, Joseph Stashkevetch, Turner and Runyon Gallery, Artlies, Winter

Rees, Christina, Heavy Metal, Abstraction doesn’t take the bite out of those creepy machines, The Dallas Observer, November 4

Harris, Elise, Industrial Art, OUT, October, p. 28

Szabo, Julia, Lofty Vision, Elle Decor, no. 61, August/September

Homophile, July

San Francisco Magazine, April

1997    Humphrey, David, New York Fax, Art Issues, November

Johnson, Ken, Art Guide: Joseph Stashkevetch, The New York Times, September 26

Schmerler, Sarah, Joseph Stashkevetch, ‘Passage’, Morris Healy, Time Out New York, no. 104, September 18-25

Cohen, Mark Daniel, Joseph Stashkevetch, Passage, Review, September 15

Time Out New York, August 28 - September 4

Blanckaert, Marie-Claire, Au Palais Royal, Une Leçon de Sobrieté, Elle Decoration, no. 73, September, p. 98-103

Boxer, Sarah, The Glory That Was Brooklyn and the Grandeur That Was Manhattan, The New York Times, March 28

1996    Blanckaert, Marie-Claire, A Paris, Un Espace Taille Sur Mesure, Elle Decoration, no. 65, September, p. 76-79

1995    New York Magazine, September 25

New Yorker, September

1992    Elle Decor, October/November

1991    Fisher, Thomas, The World Bank, Progressive Architecture, January, p. 106

Independent Curators Incorporated, New York, Catalog, 1991

1988    Grange-Bary, Christine, Les Mitres de _illusion, Maison et Jardin, no. 345, July/August

McFadden, Mary, Mary McFadden’s Jewel Box, Architectural Digest, September

 

 

PUBLIC COLLECTIONS

Whitney Museum of American Art, New York

Dallas Museum of Art

Museum of Fine Arts, Houston

San Francisco Museum of Modern Art

Progressive Corporation, Cleveland

The Ulrich Museum of Art, Wichita, Kansas

Hallmark Collection

ROGER ACKLING | BIO

ROGER ACKLING

1947   

born in Isleworth, London

lives and works in Norfolk

Studied at St Martin's College of Art, London
 


Solo Exhibitions

2012
      
Von Lintel Gallery, New York 
Galerie Josine Bokhoven, Amsterdam 
Ingleby Gallery, Edinburgh 
Annely Juda Fine Art, London  Galerie Inga Kondeyne, Berlin  Rosa Turetsky Gallery, Geneva    

2011 

The Holly Stubbings Gallery, Norwich 
Galerie Michael Sturm, Stuttgart                   
Cairn Gallery, Nailsworth, Gloucestershire                    
Chelsea Space, London                    
Galerie Peter Lindner, Vienna                    
The Anteros Arts Foundation, Norwich                    
Norwich University College of the Arts (N.U.C.A.), Norwich                    
Charles Booth-Clibborn, London                    

2010
      
Galería Elvira González, Madrid 
The Cut Arts Centre, Halesworth, Suffolk 
Galerie Gisèle Linder, Basel  Schmidt Contemporary Art, Saint Louis

2009 

Imprints-Galerie, Le Vieux Village
Galerie Lydie Rekow, Crest
The Pier Arts Centre, Stromness, Orkney
Tadashi Takahashi Gallery, Tokyo
R2, Takasaki
Concept Space, Shibukawa

2008

Verein allerArt, Bludenz
Annely Juda Fine Art, London

2007

Konstruktiv Tendens, Stockholm
Rosa Turetsky Gallery, Geneva
Unique Space, Geneva

2006   

Galerie Peter Lindner, Vienna
Galerie Gisèle Linder, Basel
Von Lintel Gallery, New York
Annandale Galleries, Sydney

2005
Concept Space, Gunma, Japan
Galerie Josine Bokhoven, Amsterdam
Rabley Contemporary Drawing Centre, Wiltshire
2004


Crawford Arts Centre, St Andrews
Ingleby Gallery, Edinburgh
Victoria Munroe, Boston

2003   

Annely Juda Fine Art, London


2002

Galerie Michael Sturm, Stuttgart
Von Lintel Gallery, New York
Galería Elvira González, Madrid


2000   

Von Lintel & Nusser, New York
Galerie Gisele Linder, Basel                 
Galerie Lydie Rekow, Crest                 
Mappin City Art Gallery, Sheffield                 
Schoenthal Monastery, Basel                 
Galerie von Lintel & Nusser, Munich

1999   

The Sainsbury Center, Norwich
Galerie Rosa Turetsky, Geneva                 
Josine Bokhoven, Amsterdam                 
Henie Onstad Center, Oslo
            

1998    

Galerie Thomas von Lintel, Munich
Academie Beeldene Kunsten, Maastricht                 
Mark Moore Gallery, Santa Monica                 
Annely Juda Fine Art, London                 
Galerie Laage-Salomon, Paris             

1997
  
Mead Gallery, Warwick Arts Center, University of Warwick                 
Angel Row Gallery, Nottingham                 
Inverleith House, Royal Botanical Gardens, Edinburgh                 
Peninsula, Eindhoven                 
Galerie Peter Linder, Vienna

1996
     
Museum of Modern Art, Wakayama                 
Cairn Gallery, Nailsworth                 
Galerie Gisele Linder, Basel

1995
     
P.P.O.W., New York Galerie Thomas von Lintel, Munich                 
Plymouth Arts Centre, Devon                 
Palais Thurn & Taxis, Bregenz                 
Second Floor Space, Reykjavik

1994
     
Rosa Turetsky, Geneva                 
Annely Juda Fine Art, London                   

Galerie Lydie Rekow, Crest                 
Galerie Gisele Linder, Basel                 
H.S. Steinek, Vienna  

1993    
R2, Takazaki                 
Concept Space, Shibukawa
White Art Gallery, Toky  Galerie Laage-Salomon, Paris
Galerie Josine Bokhoven, Amsterdam Rhona Hoffman Gallery, Chicago                        

1992   

Angles Gallery, Santa Monica
Laura Carpenter Fine Art, Santa Fe

1991   

Centre D'Art Contemporain, Genf
Galerie Renee Ziegler, Zurich
Galerie Lydie Rekow, Crest
Charles Booth-Clibborn, London
R2, Takazaki
Concept Space, Shibukawa
White Art Gallery, Tokyo
Ann Westin Gallery, Stockholm
Laage-Salomon, Paris

1990   

Cairn Gallery, Nailsworh, Gloucestershire
Vaughan & Vaughan, Minneapolis
Annely Juda Fine Art, London

1989   

Graeme Murray, Edinburgh
P.P.O.W., New York
White Art Gallery, Tokyo
Concept Space, Shibukawa

1988
    
Musee d'Arles, Cloitres de St. Trophine

1987   

Barn Gallery, Lincoln
White Art Gallery, Tokyo
Gillespie-Laage-Salomon, Paris
Juda Rowan Gallery, London


1986
      
Concept Space, Shibukawa                  
White Art Gallery, Tokyo                   
Amano Gallery, Osaka                   
Cairn Gallery, Nailsworth, Gloucestershire                   
Contemporaine, Val-de-Vesle                   
Association Silo, Centre de Creation                   
Howard Gardens Gallery, Cardiff

1985
      
Concept Space, Shibukawa                   
White Art Gallery, Tokyo                   
Amano Gallery, Osaka  1984     
Bradbury and Birch Fine Art, London                   
Francoise Lambert, Milan                   
Kumo Gallery, Tokyo                   
Amano Gallery, Osaka                   
Lisson Galllery, London                   
Gillespie-Laage-Salomon, Paris

1983
      
Coracle Press, London                   
Kumo Gallery, Tokyo                   
RYO Gallery, Kyoto                   
Amano Gallery, Osaka                   
Coracle Press, London   

1982
      
Francoise Lambert, Milan

1981
      
Galerie Loyse Oppenheim, Lyon                   
Gillespie-Laage-Salomon, Paris                  
Front Room, London                   
Coracle Press, London                   
Lisson Gallery, London 

1980
      
Front Room, London

1979
      
Marina Urbach, New York                   
Gillespie-Laage, Paris                   
Lisson Gallery, London                   
Graeme Murray, Edinburgh

1978
      
Graeme Murray, Edinburgh                   
Gillespie-Laage, Paris                   
Marina Urbach, New York

1977
    
Lisson Gallery, London  1976     
Lisson Gallery, London                   
L.C.F. Gallery, London


Public Collections

Arts Council of Great Britain
Association Silo, Val-de-Vesle
Ballinglen Arts Foundation, Mayo, Ireland
British Council
British Government Collection
British Museum, London              
Centre d'Art Contemporain, Geneva
Century American Corporation, Chicago
Cheltenham City Art Gallery & Museum
Contemporary Art Society, London
Fifth Floor Foundation, New York
First National Bank of ChicagoFogg Art Museum, Boston
Fonds National d'Art Contemporain, Paris
Fonds National d'Art Contemporain, Picardie
Fonds Regional d'Art Contemporain, Champagne
Fonds Regional d'Art Contemporain, Normandy
Fruit Market Gallery, Edinburgh
Furkart, Furkapasshöhe, Switzerland
Gallery of New South Wales, Sydney
Guerlain Foundation, Paris
Hiroshima City Museum of Contemporary Art
Hood Museum of Art, New Hampshire, USA
John D. and Catherine T. MacArthur Foundation, Chicago
Kettle’s Yard, Cambridge
Kreissparkasse, Reutlingen
Kunsthaus, Zürich
Kunstmusem Basel
McCory Stores Corporation, New York
Ministère de la Culture de la Region, Brittany
Museum Biedermann, Donaueschingen
Musée de l’Arles, Cloître St. Trophime
Museo Cantonale d'Arte (Panza di Biumo Collection), Lugano
Museo de Arte Contemporaneo Esteban Vicente, Segovia
Musée de Grenoble
Museum Folkwang, Essen
Museum Moderner Kunst, Vienna
Naples Museum of Art, Florida
National Gallery of Iceland
Norwich University College of the Arts (N.U.C.A.), Norwich
The Pier Arts Centre, Stromness, Orkney
S.A.F.N., Reykjavík
Sculpture at Schoental Monastery, Langenbruck
Scottish National Gallery of Modern Art, Edinburgh
Setagaya Art Museum, Tokyo
SILO, Reims
S.O.N.S. Museum, Kruishoutem
Southampton City Art Gallery
Tate Collection, London
Tokyo Metropolitan Art Museum
U.B.S Bank of Switzerland
University of East Anglia, Norwich
Victoria and Albert Museum, London
Vienna National Film Library
The Reykjavík City Museum
Palais Thurn und Taxis, Bregenz
Stedelijk Museum, Amsterdam
The Museum of Modern Art, Wakayama


Bibliography


Mel Gooding, Song of the Earth, RA0577 illustrated on page 35, 2002

Roger Ackling, The New Yorker, January 15, 2001

Tadeus Pfeifer, 'Spannende Ruhe' (review of exhibition at Gisèle Linder Gallery), Basler Zeitung, 17

March 2000

John Haldane, 'Back to the Land', Art Monthly, June 1999

Juan Cruz,  'Roger Ackling', Review of exhibition at Annely Juda Fine Art, Art Monthly, July 1998

William Packer, 'Age shall not wither the artists', Financial Times, 9 June, 1998

Set Aside.  Roger Ackling, ex. cat. Annely Juda Fine Art, London 1998

Black Sun. Roger Ackling, Ex.cat. Mead Gallery, Warwick Arts Center, University of Warwick/

Angel Row Gallery, Nottingham/ Inverleith House, Royal Botanical Garden, Edinburgh 1997

ARTI, Volume 24, May 1995

W. Packer, Review der Ausstellung bei Annely Juda Fine Art, in: The Financial Times, May 31, 1994

Review der Ausstellung bei Annely Juda Fine Art, 'Untitled' , review of contemporary art, Summer 1994

Review der Ausstellung bei Annely Juda Fine Art, in: The Christian Science Monitor, 26 May 1994

Review der Ausstellung bei White Art Gallery, Tokio, in: Bijutsu Techo, May 5, 1994

D. Pieters and M. Peeters, in: NRC-Handelsblad, June 25, 1993

Review der Ausstellung in der Galerie Josine Bokhoven, Amsterdam, in: Voorkeur, June 24, 1993

S. Roter, 'Konfrontation statt Kunstkonsum: "une forme une surface un volume" in der Basler

Galerie Gisele Linder', in: Basler Zeitung, July 10, 1992

S. Ellis: Pasatiempo, The Santa Fe, New Mexican Weekly Arts & Entertainment Magazine, 5/3/92

P. J. Tarchinski, 'Culture Plays Pivotal Role in Artworks', in: Journal North, Santa Fe, 5/2/92

G. Fauntleroy: 'Ackling has a burning desire to create his own style of art', in: Pasatiempo,

The Santa Fe, New Mexican Weekly Arts & Entertainment Magazine, 27. March 1992

F. Nyffenegger, 'Mes dix plaisirs esthetiques', in: La Tribune de Genève, November 21, 1991

F. Nyffenegger, 'Du bois au fer',  in: La Tribune de Genève, November 2/3, 1991

L. Chauvy, 'Le soleil, Maytre d'oeuvre', in: Gazette de Lausanne, October 22, 1991

N. El Beblawi, 'Experience poetique traduite', in: Journal de Genève, October 22, 1991

M. Allthorpe-Guyton, 'Territorial Rights'  in: Artscribe 1991

T. Warner, 'Norfolk Portfolio', in: Arts Review, October 18, 1991

Nikkei Art, April 1991

M. Gooding, 'Reclamations and Reminders: Roger Ackling's sculpture', in: Art Monthly,March 1991;

S. Hubbard, in: Time Out, February/ March 1991

D. Lee: 'London Reviews', in: Arts Review, February 23, 1990

W. Feaver, 'Warm fronts to whet a weatherman's appetite', in: Observer, February 25,1990

M. Vaizey, 'Invitation into magical worlds', in: The Sunday Times, February 25, 1990

W. Packer, 'Sculpture tailored from the countryside' in: Financial Times, February 3,1990

D. Bonetti, 'A very English way with wood sculpture', in: San Francisco Examiner, 1/23/90

M. Brenson, 'Roger Ackling', in: The New York Times, June 9, 1989

J. Perron, 'Magnifying lens becomes artist's tool', in: The Japan Times, April 2, 1989

W. Packer, 'Two sculptors' time and place', in: Financial Times, March 12, 1987

M. Bohm-Duchen, 'Lijn, Ackling, Wentworth, Deacon', in: Art Monthly, May 1987

S. Kent, in: Time Out, March 25, 1987

W. Packer, in: Financial Times, March 12, 1987

Artist through the magnifying glass', in: The Independent, March 6, 1987

L. Berryman, 'Roger Ackling', in: Arts Review, March 27, 1987

J. Shiodain: Bijutsu Techo, 1986